Man-woman relationships -- Fiction; Villages -- England -- Fiction
During the war, Blanche Kendal, the eldest daughter, stayed at home “To
help Mumma,” and Amy, whom Mumma has decreed to be delicate, was not
allowed to do anything except what her Mother called “cheering up poor
Puppa in the evenings--that must be your war work, darling.”
Dolly and Aileen, after an inordinate number of family conclaves--the
Kendals are nothing, if not tribal--had, in 1915, been permitted to
go daily to the County Hospital, where they had zealously washed
dishes and listened enviously to the talk of girls much younger than
themselves, who worked in the wards as nurses or masseuses.
Alfred, whom neither parent would have dreamed of trying to coerce, did
not succeed in passing as fit for foreign service, and had to content
himself with Salisbury Plain.
It follows that the Kendals, although they would no doubt repudiate the
suggestion indignantly, have, for all practical purposes, completely
forgotten all about the war.
Where Puppa previously condemned and denounced the Radicals, he now
condemns and denounces the Labor Party; and when, as sometimes happens,
he loses his temper for no appreciable reason, Mumma explains the lapse
by saying, “Poor Puppa is so worried about this _wicked_ Income Tax”
instead of, as in former days, “Poor Puppa is so worried about this
nonsensical Servants’ Insurance Bill.”
Mumma herself never loses her temper, but, even as she, once upon
a time, allowed herself to speak of the Suffragettes as unsexed,
hysterical idiots, so she now condemns as wicked, irreligious,
and immoral, the increased scope of the Divorce Laws and the new
independence of Domestic Servants. Since the thirtieth birthday of the
twins, Mrs. Kendal has allowed herself more latitude in mentioning such
subjects in their presence. She quite believes, and often proclaims,
that she has the complete confidence of all her children.
Dolly and Aileen are affectionately regarded by the whole family as
being the emancipated members of it.
“No one ever allowed us to read the books they read,” Blanche told me,
after Mumma had actually left a library copy of “Women Napoleon Loved”
lying about the drawing-room, without troubling to shroud it in a brown
paper cover.
And Amy pointed out, quite unresentfully, that she and Blanche had
always been made to dress alike, at the twins’ age. This was when Dolly
boldly appeared in a tailor-made shirt with pink stripes, although
Aileen had not yet discarded her winter “everyday” cream-colored
flannel.
Variegated sweaters and low-necked silk jumpers, such as Sallie Ambrey
wears, Mumma has pronounced to be in bad style.
Dolly, who was my informant upon this point, seemed to think that I
might get a false impression of Mumma and her ideals from it, for she
added at once:
Public-domain text, read in full here on John Shaqi.
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