Mrs. Radigan: Her Biography, with that of Miss Pearl Veal, and the Memoirs of J. Madison Mudison — John Shaqi
Mrs. Radigan: Her Biography, with that of Miss Pearl Veal, and the Memoirs of J. Madison MudisonLloyd, Nelson
General
Mrs. Radigan: Her Biography, with that of Miss Pearl Veal, and the Memoirs of J. Madison Mudison
Lloyd, Nelson
New York (N.Y.) -- Fiction; Satire; Social classes -- Fiction; Women -- Conduct of life -- Fiction
In life it is a comfort to know that when you are
gone your name is still to live, that your bust will adorn some hall
of fame, and that women's clubs will haggle over the meaning of what
you have written. But to live in starvation and in ignorance of your
own importance, to have the laurels placed upon a marble brow--that is
different. To be in bronze in a public square is well enough, but it is
better by far to have yourself in the flesh in one of the broad windows
of the Ticktock Club. Fifty years of terrapin and champagne are better
than two thousand of honored memory. Real estate offered me the fifty
years. I chose it, and the wisdom of that choice becomes more apparent
daily. I know now that it profits one more to have his name signed
to a thirty-foot front on Fifth Avenue than to an idyllic poem or a
masterpiece of prose.
Giving up all hope of fame and setting out to woo fortune, I elected
to deal in lots and buildings because of the tremendous social
opportunities that offered there. Fortune is better than poverty, but
fortune without fashion is little so. Fashion is ephemeral fame, and
those thus famous treat the poor more kindly than they do the merely
wealthy. So with fortune I demanded fashion, for I was ambitious and
not given to half-way measures or rewards.
You see I am frank. When I saw what would be the cost of a life of
usefulness, I boldly set out to be smart. Perhaps my friend, Mr.
Mudison, puts it more tersely when he places the proposition in the
reverse way: If you cannot be smart, be famous. I knew that I could
be smart. From my little office with its map-covered wall, from my
revolving chair by the roll-top desk, I viewed the charmed circle,
still very far off. But I viewed it with calm confidence that some
day I should be of it. For me it had no terrors, for its history was
written in the history of the country's industry, in the history
of its railroads, of its mines, of its patent devices to make life
worth living, and its patent medicines to make the living longer. Of
illusions I had none. I knew that life in the palace and life in the
slum were of equal interest to him who observed, that they showed him
the same humor and pathos, the same vices and virtues. Snobbery exists
as much in Harlem, in Brooklyn, in Jamaica, on Grand Street or Houston
as on Fifth Avenue. But if you are going to climb, it is well to reach
that dizzy pinnacle where none can snub you. I climbed. Now I can drive
a public coach, give a monkey dinner or a costume dance, and while
the town jeers it envies, and those rail loudest on whom my door is
tightest closed.
Public-domain text, read in full here on John Shaqi.
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