Mrs. Radigan: Her Biography, with that of Miss Pearl Veal, and the Memoirs of J. Madison Mudison — John Shaqi
Mrs. Radigan: Her Biography, with that of Miss Pearl Veal, and the Memoirs of J. Madison MudisonLloyd, Nelson
General
Mrs. Radigan: Her Biography, with that of Miss Pearl Veal, and the Memoirs of J. Madison Mudison
Lloyd, Nelson
New York (N.Y.) -- Fiction; Satire; Social classes -- Fiction; Women -- Conduct of life -- Fiction
Mrs. Radigan was charming. There was a smile and a hearty,
whole-souled hand-shake for all, and as they came trooping past her in
their Indian garb she had a word of admiration for every one of them.
Pearl Veal as Minnehaha, and myself as Hiawatha, each got a resounding
kiss, which in my case disarranged my deep bronze complexion. And as
for J. Madison Mudison! Pearl and I were at Mrs. Radigan's side when
he arrived, and we noted that she held his hand very long and seemed
to say nothing. But he might well have set anybody speechless. We
should never have known him had not the giant trapper at the door, the
pride of the servants' hall, announced "Mr. Madison Mudison, the great
medicine-man." He was simply hideous. His face was painted all the
colors of the rainbow, and from his neck down he was festooned with
stuffed snakes and carried a vicious-looking war-club. When he had made
his obeisance he stared open-mouthed at the marvellous alteration of
the gallery, all hung as it was with hides and scalps, weapons, and
trophies of the chase. "Jolly," was his comment--"awfully jolly!"
Then, shouldering his weapon, he gathered in Miss Veal and went on into
the ballroom.
To go into the ballroom was like stepping into some primeval forest, so
artfully had Mr. Coppe carried out his scheme. You seemed in an open
place among the trees, a glade, with a green waxed floor underfoot,
a starry sky--twinkling stars--overhead and about you the receding
woods, whose unreality you only realized when you bumped into the wall.
To carry out the illusion, the whistler of a downtown music-hall was
hidden in the ceiling, and made a noise like a bird. There was a little
stage at one end, and half of the Skimphony Orchestra was concealed in
the conservatory, playing divine music.
A remarkable scene! The place was packed with Indians, all laughing
and chatting till the noise they made sounded like a knitting-mill,
and among them, his long rifle over his shoulders, moved Captain John
Smith, nobly playing his part as host to the distinguished company.
Miss Bumpschus was there and she almost fainted when I sailed up with
J. Madison Mudison, who made a threatening demonstration with his awful
spiked club. I must confess I think Miss Bumpschus as an Indian looked
better than usual, though her spectacles might have been dispensed
with. Still, I suppose she wanted to see what was going on. Mrs.
Bobbie Williegilt, on the other hand, was perfect, even to the papoose
which she carried on her back. This infant caused some excitement
by falling off on the floor later in a dance, for she had failed to
explain to some of the dowagers that it was only imitation. Marian
Speechless as an Apache maiden, Dewberry Lamb as Red Cloud, and Arthur
Slaughterblock-Jones as a youth, were especially excellent in their
make-up. By eleven o'clock you might have fancied yourself back in the
seventeenth century, sporting in the Virginia forests with Pocahontas
and her people.
Public-domain text, read in full here on John Shaqi.
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