A charming woman! She might be twenty-five; she might be fifty. Yet there is no evidence of art about her. She is a simple little thing, with bright eyes, and a figure that she sets off very well in a black gown all shimmery with spangles, and a snappy little waist with narrow ribbons for sleeves. She let me drape over her shoulders a gauzy network shawl to keep off the cold, and then tucked her arm snugly under mine and was led in to dinner. My hostess was at my left, and she whispered to me that Gladys, as she called her, had been the wife of Joshua Underbunk, who has since married Amy Lightly, the prima donna of the "Whoop-de-doodle" company. Mrs. Duff said it was awfully sad, but, glancing at my companion, I confess I could not see but that she was bearing up well. She was talking gayly to the literary fellow on her right. The Duffs, you see, have a penchant for queer people. The Tommy Tattlers, of course, are nice, as are Harry Pumley and Sally Bilberry, but where they ever raked up that Miss Sapper, the artist, and Julius Hogginson Fairfield, is beyond me. Mrs. Duff told me over oysters that Fairfield was awfully clever, and had written "The Smash," the heaviest-selling novel of the day. He had been taken up by the Twitters, who rather pride themselves on not being exclusive. I have no personal objection to literary people and their kind, but it is so seldom that they know anything. Fairfield, for instance, did not understand that he was to talk half the time to Mrs. Tommy Tattler, and give me a chance with Mrs. Underbunk. Instead, he took up her entire dinner, telling her how he happened to write "The Smash," and what a poor book it really was, and how the public had greatly over-estimated its literary worth. Once I began to give her my famous story of the Irishman in the diving-bell, and he had to break in and engage her eyes, her smile, and all her attention, leaving me to discuss stocks with Harry Pumley, across Mrs. Duff.