_Eminent Women Series_ EDITED BY JOHN H. INGRAM MRS. SIDDONS. (_All rights reserved_) MRS. SIDDONS BY MRS. A. KENNARD. LONDON: W. H. ALLEN & CO., 13 WATERLOO PLACE, S.W. 1887. (_All rights reserved._) LONDON: PRINTED BY W. H. ALLEN AND CO., 13 WATERLOO PLACE, S.W. PREFACE. In spite of Mrs. Siddons’s professed shrinking from the celebrity that biographers would confer upon her, and her preference for the “still small voice of tender relatives and estimable friends,” we know that she bequeathed her Memoranda, Letters, and Diary to the poet Campbell—an intimate friend during her latter years—with a request that he would prepare them for publication. How, with the ample material at his command, Campbell wrote so bad a life, it is difficult to conceive. He seemed conscious himself that he was not doing justice to his subject. The task of finishing it weighed on him like a nightmare. To secure himself from interruption he would fix a placard on the door of his chambers announcing that “Mr. Campbell was engaged with the biography of Mrs. Siddons, and was not to be disturbed.” Though performing the task unwillingly, he stubbornly refused to allow anyone else to attempt it. When Mrs. Jameson contemplated writing a life of the great actress he was most indignant, and expressed himself as unable to understand how Mrs. Combe (Cecilia Siddons) could patronise a life of her mother by Mrs. Jameson, knowing that he had been appointed the biographer. Boaden’s account of Mrs. Siddons is sketchy and meagre, and his style, if possible, more pedantic and ponderous than Campbell’s. Crabb Robinson declared it to be “one of the most worthless books of biography in existence.” In writing an account of a woman like Mrs. Siddons, or, indeed, of anyone whose life has been passed entirely before the public, it is necessary to divest the character as much as possible of the legendary traditions adhering to it. It must be brought down into the regions of ordinary life, and the only way to accomplish this is to transcribe her actual words and expressions written without thought of publication. We must therefore ask our readers to forgive us for quoting so many of her letters in full. When we attempt to shorten or interpolate, all their easy charm and freshness seems to evaporate.