Actresses -- Great Britain -- Biography; Siddons, Sarah, 1755-1831
Income wou’d afford, without a chance, _at least_, of being able to
_cover_ these expenses, which is all I desire! and therefore I am to
fulfil my Engagement on my brother’s Terms.”
In November, therefore, we find her making her way by slow stages to
Edinburgh. She stopped for several days at Kirby Moorside, with Sir Ralph
and Lady Noel, and Lady Byron. In spite of nervousness and fatigue, she
delighted her Edinburgh audiences. She had no reason to make a charge
against her northern friends of unfaithfulness.
CHAPTER XVI.
OLD AGE.
In 1817 Mrs. Siddons, anxious, for the sake of her daughter Cecilia, to
see more society, left her Country retreat, Westbourne Farm, where so
many hours of repose snatched from the turmoil of her professional life
had been passed, and took a house in Upper Baker Street. It is the last
house on the east side overlooking the Regent’s Park, and has a small
lawn and garden behind.
On the front, over the doorway, is a medallion stating that “Here
Mrs. Siddons, the actress, lived from 1817 to 1831.” When the houses
in Cornwall Terrace were about to be brought close to the gate of the
park, Mrs. Siddons appealed to the Prince Regent, who had ever remained
her firm and courteous friend. He immediately gave orders that her
view over the Park should not be shut off. The house, which is still
unchanged in its internal arrangements, is now used as the estate
office of the Portman property. The room she built out as a studio
for modelling is screened off into compartments with desks for the
transaction of business. That is really the only change that has been
made. It is an old-fashioned, comfortable house, panelled in dark oak.
The approach to the staircase has steps ascending and descending, and
the stairs themselves twist round corners, off which branch unexpected
passages, until they reach the first floor, where to the right opens the
dining-room, looking on the little garden, and beyond to the Park. There,
between the Grecian pillars with their honey-suckle pediment, once hung
the portrait of her brother John as Hotspur; now the space looks desolate
and bare.
Here she lived with her daughter Cecilia and Patty Wilkinson, her
attached friend and companion. Some among us are old enough to remember
having heard of her pleasant parties where all that was intellectual
and delightful in the London of her day was assembled. There she would
sometimes, to her intimate friends, give recitations of her favourite
parts, having by this time relinquished doing so in public. Miss
Edgeworth describes one of these readings:—
Public-domain text, read in full here on John Shaqi.
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