Actresses -- Great Britain -- Biography; Siddons, Sarah, 1755-1831
She was, as a rule, perfectly impervious to external influences, ignoring
them in her self-abstraction. She lived through the most marvellous
period of English and European history, yet no incident seems to have
made an impression on her mode of thought or life. She never entered
into political interests, though the friend of Fox, Burke, and Sheridan.
Her dramatic world of romance was all-sufficient for her. Hers was not a
ready intelligence; she required time for everything, time to comprehend,
time to speak; there was nothing superficial about her, no vivacity of
manner. To petty gossip she could not condescend, and evil-speaking
she abhorred. She cared not to shine in general conversation. Ask her
her opinion, she could not give it until she had studied every side of
the subject; then you might trust to it without appeal. This slowness
of mental action led to a regal, stately, and majestic bearing, that
gradually overlaid her genius to its detriment. As early as 1817, Fanny
Burney describes her as—
The heroine of a tragedy, sublime, elevated and solemn, in face
and person truly noble and commanding, in manners quiet and
stiff, in voice deep and dragging, and in conversation formal,
sententious, calm, and dry. I expected her to have been all
that is interesting; the delicacy and sweetness with which
she seizes every opportunity to strike and to captivate upon
the stage had persuaded me that her mind was formed with that
peculiar susceptibility which, in different modes, must give
equal powers to attract and delight in common life. But I was
very much mistaken. As a stranger I must have admired her noble
appearance and beautiful countenance, and have regretted that
nothing in her conversation kept pace with their promise.
We read in 1801 of Campbell meeting her walking on the banks of
Paddington Canal when she was living at Westbourne, and in a perfect
agony of fear “whipping on his great-coat,” and preparing himself for an
interview with the “great woman.”
Washington Irving gives a characteristic sketch of her:—
Public-domain text, read in full here on John Shaqi.
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