Actresses -- Great Britain -- Biography; Siddons, Sarah, 1755-1831
Garrick was above all a manager who had the honour of his theatre at
heart. He had held the helm at Drury Lane for years, guiding the fortunes
of the company through stormy waters safely into the haven of financial
and artistic success such as no theatre had ever enjoyed before; but at
what a cost! Tormented by the jealousies, insolence, and greed of his
leading ladies, disheartened by the envy and treachery of his oldest
friends, he must have been glad to contemplate retirement from the
turmoil, to enjoy undisturbed the competency he had been able to save
from a long life spent in the service of his art and the public. He had
but one year more of thraldom, but the harness had begun to gall almost
beyond endurance. When he came home ill and worn out after protracted
rehearsals, he found petulant letters to be answered, when he went back
to the theatre hostile attacks to be avoided, while outside were ranged
secret and declared foes, jealous of his success, anxious to find a flaw
in his honour or his genius. Suddenly he bethought him of a method, tried
before with success, to curb the fiery tempers of the ladies within “his
kingdom.” He had heard of a lovely young actress, member of a company
strolling in the provinces. He determined to engage her and use her as
a foil against the rebellious members of his female staff, for the last
year of office. It was not likely that, coming from humble surroundings
and hard work, she would afflict him with many airs and graces; and
before time had been given her to spoil, his term as manager would have
ceased. Garrick had never been given much cause to think highly of women
during his long life as an actor—his own wife always excepted—and he
most likely put Sarah Siddons on the same level as the others—sordid,
like Miss Pope; jealous, like Mrs. Yates; or ill-tempered, like Mrs.
Clive—well able to take care of herself, and not gifted with those two
rare qualities amongst theatrical ladies, modesty or sensitiveness. How
could he guess, even with all his perspicacity and experience, that this
young creature—whose life hitherto had been spent strolling from place
to place with the vagabonds and adventurers her profession threw her
with—was proud, sensitive, timid, nourishing the very highest ideal of
her art, and indifferent to any homage given to her person and not to her
intellectual power of interpreting the works of the great poets of her
country? How could he tell that beneath the pretty exterior of this young
and trembling recruit lay hidden the fiery soul of the majestic, terrific
Lady Macbeth? He treated her with an amount of consideration and courtesy
unusual even with him, sending her boxes for all his great performances,
when Cabinet Ministers were imploring places and had to be refused. He
would hand her from the green-room and put her in the place of honour
beside him; and gave her parts which according to his judgment, formed
hastily on what he had had an opportunity of seeing, best suited her.
Public-domain text, read in full here on John Shaqi.
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