“It was my custom to study my characters at night, when all the domestic care and business were over. On the night preceding that in which I was to appear in this part for the first time, I shut myself up as usual, when all the family were retired, and commenced my study of Lady Macbeth. As the character is very short, I thought I should soon accomplish it. Being then only twenty years of age, I believed, as many others do believe, that little more was necessary than to get the words into my head; for the necessity of discrimination, and the development of character, at that time of my life, had scarcely entered into my imagination. But to proceed. I went on with tolerable composure, in the silence of the night (a night I never can forget), till I came to the assassination scene, when the horrors of the scene rose to a degree that made it impossible for me to get farther. I snatched up my candle, and hurried out of the room in a paroxysm of terror. My dress was of silk, and the rustling of it, as I ascended the stairs to go to bed, seemed to my panic-struck fancy like the movement of a spectre pursuing me. At last I reached my chamber, where I found my husband fast asleep. I clapt my candlestick down upon the table, without the power of putting the candle out, and I threw myself on my bed without daring to stay even to take off my clothes. At peep of day I rose to resume my task; but so little did I know of my part when I appeared in it at night, that my shame and confusion cured me of procrastinating my business for the remainder of my life.” People afterwards were inclined to find her formal and sententious, and even denied her sensibility off the stage; but it is impossible to read the account of the manner in which she entered into her parts, and how they took hold of her in her early days of work, without feeling that she had depths of pathos and sympathy in her disposition undreamt of by those who met her later when, under a dignified tragic manner, she had hidden her youthful spontaneity of feeling. We have only need of the evidence of the actors she acted with to see how deeply she entered into her part.