Actresses -- Great Britain -- Biography; Siddons, Sarah, 1755-1831
she says: “Even here, horrified as she is, she shows herself made by
ambition, but not by nature, a perfectly savage creature. The very use of
such a tender allusion in the midst of her dreadful language, persuades
one unequivocally that she has really felt the maternal yearnings of
a mother towards her babe, and that she considered this action the
most enormous that ever required the strength of human nerves for its
perpetration. Her language to Macbeth is the most potently eloquent that
guilt could use. It is only in soliloquy that she invokes the powers of
hell to unsex her. To her husband she avows, and the naturalness of her
language makes us believe her, that she had felt the instinct of filial
as well as maternal love. But she makes her very virtues the means of a
taunt to her lord: ‘You have the milk of human kindness in your heart,’
she says (in substance) to him, ‘but ambition, which is my ruling
passion, would be also yours if you had courage. With a hankering desire
to suppress, if you could, all your weaknesses of sympathy, you are too
cowardly to will the deed, and can only dare to wish it. You speak of
sympathies and feelings. I, too, have felt with a tenderness which your
sex cannot know; but I am resolute in my ambition to trample on all that
obstructs my way to a crown. Look to me, and be ashamed of your weakness.”
“In the tremendous suspense of these moments” (when Duncan sleeps), Mrs.
Siddons again tells us, “while she recollects her habitual humanity, one
trait of tender feelings is expressed: ‘Had he not resembled my father as
he slept, I had done it.’”
Public-domain text, read in full here on John Shaqi.
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