It was an evening that invited to reverie. The far stretches of the sea were gray with mist, and the city itself, lying around the sweep of the Bay, seemed dusky and distant. From her cottage window Alice Winthrop looked silently at the open world around her. It seemed a long time since she had heard Will Carman’s whistle. She wondered if he were still angry with her. She was sorry that he had left her in anger, and yet not sorry. If she had not made him believe that she was proud and selfish, the parting would have been much harder; and perhaps had he known the truth and realized that it was for his sake, and not for her own, that she was sending him away from her, he might have refused to leave her at all. His was such an imperious nature. And then they would have married—right away. Alice caught her breath a little, and then she sighed. But they would not have been happy. No, that could not have been possible if his mother did not like her. When a gulf of prejudice lies between the wife and mother of a man, that man’s life is not what it should be. And even supposing she and Will could have lost themselves in each other, and been able to imagine themselves perfectly satisfied with life together, would it have been right? The question of right and wrong was a very real one to Alice Winthrop. She put herself in the place of the mother of her lover—a lonely elderly woman, a widow with an only son, upon whom she had expended all her love and care ever since, in her early youth, she had been bereaved of his father. What anguish of heart would be hers if that son deserted her for one whom she, his mother, deemed unworthy! Prejudices are prejudices. They are like diseases. The poor, pale, elderly woman, who cherished bitter and resentful feelings towards the girl whom her son loved, was more an object of pity than condemnation to the girl herself. She lifted her eyes to the undulating line of hills beyond the water. From behind them came a silver light. “Yes,” said she aloud to herself—and, though she knew it not, there was an infinite pathos in such philosophy from one so young—“if life cannot be bright and beautiful for me, at least it can be peaceful and contented.” The light behind the hills died away; darkness crept over the sea. Alice withdrew from the window and went and knelt before the open fire in her sitting-room. Her cottage companion, the young woman who rented the place with her, had not yet returned from town. Alice did not turn on the light. She was seeing pictures in the fire, and in every picture was the same face and form—the face and form of a fine, handsome young man with love and hope in his eyes. No, not always love and hope. In the last picture of all there was an expression which she wished she could forget. And yet she would remember—ever—always—and with it, these words: “Is it nothing to you—nothing—to tell a man that you love him, and then to bid him go?”