Mrs. Warren's Daughter: A Story of the Woman's MovementJohnston, Harry
General
Mrs. Warren's Daughter: A Story of the Woman's Movement
Johnston, Harry
Feminism -- Fiction; Mothers and daughters -- Fiction; Women's rights -- Fiction
The date when this story begins is a Saturday afternoon in June,
1900, about 3 p.m. The scene is the western room of a suite of
offices on the fifth floor of a house in Chancery Lane, the offices
of _Fraser and Warren_, Consultant Actuaries and Accountants. There
is a long window facing west, the central part of which is open,
affording a passage out on to a parapet. Through this window, and
still better from the parapet outside, may be seen the picturesque
spires and turrets of the Law Courts, a glimpse here and there of
the mellow, red-brick, white-windowed houses of New Square, the
tree-tops of Lincoln's Inn Fields, and the hint beyond a steepled
and chimneyed horizon of the wooded heights of Highgate. All this
outlook is flooded with the brilliant sunshine of June, scarcely
dimmed by the city smoke and fumes.
In the room itself there are on each of the tables vases of flowers
and a bunch of dark red roses on the top of the many pigeon-holed
bureau at which Vivien Warren is seated. The walls are mainly
covered with book-shelves well filled with consultative works on
many diverse subjects. There is another series of shelves crowded
with neat, green, tin boxes containing the papers of clients. A dark
green-and-purple portiere partly conceals the entry into a washing
place which is further fitted with a gas stove for cooking and
cupboards for crockery and provisions. At the opposite end of the
room is a door which opens into a small bedroom. The fireplace in
the main room is fitted with the best and least smelly kind of gas
stove obtainable in 1900.
There are two square tables covered with piles of documents neatly
tied with green tape and ranged round the central vase of flowers; a
heavy, squat earthenware vase not easily knocked over; and there is
a second bureau with pigeon-holes and a roll top, similar to the one
at which Vivien Warren is seated. This is for the senior partner,
Honoria Fraser. Between the bureaus there is plenty of space for
access to the long west window and consequently to the parapet which
can be used like a balcony. Two small arm-chairs in green leather on
either side of the fireplace, two office chairs at the tables and a
revolving chair at each bureau complete the furniture of the
partners' room of _Fraser and Warren_ as you would have seen it
twenty years ago.
The rest of their offices consisted of a landing from which a lift
and a staircase descended, a waiting-room for clients, pleasantly
furnished, a room in which two female clerks worked, and off this a
small room tenanted by an office boy. You may also add in
imagination an excellent lavatory for the clerks, two telephones
(one in the partners' room), hidden safes, wall-maps; and you must
visualize everything as pleasing in colour--green, white, and
purple--flooded with light; clean, tidy, and admirably adapted for
business in the City.
Public-domain text, read in full here on John Shaqi.
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