D. John.
I will presently go learn their day of marriage.
[Exeunt.]
Scene III.--Leonato's Garden.
[Enter Benedick and a Boy.]
Bene.
Boy!
Boy.
Signior.
Bene.
In my chamber-window lies a book; bring it hither to me in
the orchard.
Boy.
I am here already, sir.
Bene.
I know that;--but I would have thee hence, and here again.
[Exit Boy.]--I do much wonder that one man seeing how much
another man is a fool when he dedicates his behaviours to love,
will, after he hath laughed at such shallow follies in others,
become the argument of his own scorn, by falling in love: And
such a man is Claudio. I have known when there was no music with
him but the drum and the fife; and now had he rather hear the tabor
and the pipe: I have known when he would have walked ten mile
afoot to see a good armour: and now will he lie ten nights awake,
carving the fashion of a new doublet. He was wont to speak plain,
and to the purpose, like an honest man and a soldier; and now is
he turned orthographer; his words are a very fantastical banquet,
just so many strange dishes. May I be so converted, and see with
these eyes? I cannot tell; I think not: I will not be sworn but
love may transform me to an oyster; but I'll take my oath on it,
till he have made an oyster of me, he shall never make me such a
fool. One woman is fair; yet I am well: another is wise; yet I am
well: another virtuous; yet I am well: but till all graces be in
one woman, one woman shall not come in my grace. Rich she shall
be, that's certain; wise, or I'll none; virtuous, or I'll never
cheapen her; fair, or I'll never look on her; mild, or come not
near me; noble, or not I for an angel; of good discourse, an
excellent musician, and her hair shall be of what colour it
please God. Ha, the prince and monsieur Love! I will hide me in
the arbour.
[Withdraws.]
[Enter Don Pedro, Leonato, and Claudio.]
D. Pedro.
Come, shall we hear this music?
Claud.
Yea, my good lord:--How still the evening is,
As hush'd on purpose to grace harmony!
D. Pedro.
See you where Benedick hath hid himself?
Claud.
O, very well, my lord: the music ended,
We'll fit the kid fox with a pennyworth.
[Enter Balthazar, with music.]
D. Pedro.
Come, Balthazar, we'll hear that song again.
Balth.
O good my lord, tax not so bad a voice
To slander music any more than once.
D. Pedro.
It is the witness still of excellency,
To put a strange face on his own perfection:--
I pray thee, sing, and let me woo no more.
Balth.
Because you talk of wooing, I will sing:
Since many a wooer doth commence his suit
To her he thinks not worthy; yet he woos;
Yet will he swear, he loves.
D. Pedro.
Nay, pray thee, come:
Or if thou wilt hold longer argument
Do it in notes.
Balth.
Note this before my notes,
There's not a note of mine that's worth the noting.
D. Pedro.
Why, these are very crotchets that he speaks;
Note, notes, forsooth, and noting!
[Music.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account