Much Ado About SomethingLawrence, C. E. (Charles Edward)
Science
Much Ado About Something
Lawrence, C. E. (Charles Edward)
England -- Social life and customs -- 20th century -- Fiction; Fairies -- Fiction
The Duke put on pince-nez, and went in search of the prettiest possible
partner he could find. He had come to his second youth, and meant to
enjoy it. He found himself murmuring complimentary epigrams to Lalage
and Chloe, written by himself during college days when under the glamour
of Horace. He wondered if they would do.
Geoffrey talked of New-Year reforms to Barnett Q. with the seriousness
of a budding legislator, and remembered his previous experience at
Liberty Hall. What a difference! Then had been riot; this was the
other extreme. Where was the reason why?
The company consisted--he saw--mostly of the same people who previously
had wrought vulgar tumult there; every face was more or less familiar to
him; but their manners, hitherto blatant, were now positively
mealy-mouthed. Roaring lions expressed themselves with the modesty of
penny whistles. What did it mean? Bounders, ninnies, minxes had left
off their meannesses and become decently human.
Any attempt at vulgarity was instantly hushed and checked. Lame efforts
at ostentation were remorselessly snubbed. Geoffrey had learned several
things during the last few days; his eyes had been better opened. He
put this condition of strained propriety down to its right source, the
fairies; but her Grace, his mother, had also something to do with it.
Mrs. Moss was positive it was mainly due to the dear Duchess.
The coming of the Arminghams was certainly an event in the social
history of Liberty Hall. If it had not been for the strange sense of
constraint which held her, Mrs. Moss would have exulted, pleased as a
young redskin with his first scalp. As it was, she fluttered like a
nervous hen round an ostrich-egg, knowing she had not lived in vain.
It was the Duke who, the fairies willing, broke down the barriers of
undue restraint. The elf-atmosphere, which subdued the loud rich,
roused and awakened him. He was inclined to rollick. Breaking through
the established order of things, he induced Barnett Q. to start an old
country dance. The experiment took. Feet which earlier in the evening
had been lamely waltzing or half-heartedly two-stepping became lively
with Sir Roger de Coverley. It was a revolution, transformation
complete.
Clean simplicity came to people who had always deemed it folly to be
simple. Whole-heartedly the guests joined in the dance--they hurried to
take places in long laughing rows--the Duchess herself came down from
the proud mountains to go trotting through a smiling avenue with her
partner, Barnett Q. The fairies, too, made shimmering lines, and
improved on the movements of the human-folk. There were no more
unsocial or ugly dances that night. The party was for all the world
like one played by happy children.
Public-domain text, read in full here on John Shaqi.
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