Much Ado About SomethingLawrence, C. E. (Charles Edward)
Science
Much Ado About Something
Lawrence, C. E. (Charles Edward)
England -- Social life and customs -- 20th century -- Fiction; Fairies -- Fiction
"What is generally wanted--almost before anything else--is the power to
get out of the ruck of the commonplace, to look at facts from a new
point of view. How blind we are to the obvious! It is possible every
day to pass by and not notice a view which, if it were in another
country, we should travel for days in discomfort to see. And why?--I ask
you why?" He gazed at the ceiling, and waved a graceful hand.
"Goodneth knowth!"
The Archdeacon puckered his brows, and looked down at his interrupter
with an expression of gentle remonstrance.
"The question was rhetorical, Mr. Oldstein," he said, in mild rebuke.
"I repeat, Why? Because we are so used to it. A Londoner will see more
beauty in a wood in May or June than the man who lives at its edge; but
bring the yokel to London, and he will open his mouth with awe at
buildings of beauty and history upon which the Cockney will strike the
cheaper kind of matches. Familiarity breeds blindness."
"Yeth."
"It does indeed! The first thing is to teach the uses of the eyes; the
next the joys of imagination. Those are indirectly the purposes for
which the Lord Mayor’s new movement--Titania’s Bodyguard--is instituted.
What a work we of the Bodyguard--I am its chaplain--what a work we have
to do! To get representatives on the Borough Councils pledged to fulfil
the gospel of sweetness and light; to insure that no houses designed and
built in the future shall be hideous, or contradictions in style to each
other--the brown Victorian age of architecture is past; to insist that
exteriors be clean, and, where possible, brightly painted; and
advertisements artistic; to take measures to abolish smoke and dust and
flies; to distribute bulbs and flowering-plants, and give prizes for the
best-loved gardens and windows; to encourage the growth of creepers
about buildings; to plant trees, and establish fountains in the
streets."
"Dear, dear! it’ll cost a lot!" thought Emmanuel.
"There is much to be done even at the beginning. Then the next stage.
To remove monstrosities in houses, courts, and slums; and generally to
undo Mr. Jerry Builder. What a work! All but a few of the statues
which frown on our squares and gardens must be chipped into little bits
for road-mending. Throughout London, throughout England, there are
statues not worth their weight in mud. They are mere blackened
bathos--futile memorials to the generally forgotten: tasteless,
obstructive, stupid. Down with the bronze gentlemen in mutton-chop
whiskers and Roman togas who pose like sorry Pecksniffs."
"’Ear, ’ear!" said Mr. Oldstein, who was beginning, at last, to feel at
home, though who Pecksniff was, bless you! for his life he didn’t know.
Public-domain text, read in full here on John Shaqi.
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