Much Ado About SomethingLawrence, C. E. (Charles Edward)
Science
Much Ado About Something
Lawrence, C. E. (Charles Edward)
England -- Social life and customs -- 20th century -- Fiction; Fairies -- Fiction
The Duke of Armingham possessed every one of the characteristics of
extreme aristocracy. His blue blood, high nose, arched eyebrows and
slender hands could only be improved on by an idealistic
portrait-painter. They were the sure marks of class and culture. He
had the gentle voice, deliberate manner, and a habit of waving his
pince-nez when he was speaking, which mark authority. Throughout his
life, whenever he had spoken, others had to be silent; it was therefore
unnecessary for his voice to be raised, or his tones to become strident.
His fashions were those of the early seventies. Until that period he had
out-dandified the dandies and been glorious in the forefront of his
time. Then his style stayed still. Any more recent order of dress than
that which Louis Napoleon affected was out of date, he declared. He
was, in these later days, a dear old thing, kind and as perfectly happy
as a duke can be. He bore the disadvantages of his wealth and position
with wonderful lightheartedness, and was able by taking thought to avoid
being envious of his inferiors. He feared nothing except lightning, mud
in Piccadilly, and his Duchess on a Court day.
His wife was even more assuredly an exalted being. Rumour said that in
her young days she had been a nursery governess; but those who ought to
be authoritative on the subject declared that rumour lied. Anyhow, the
gilt and scarlet books which tell the tales of the titled, gave her a
colonel for father, so that her blood was likely to be something blue.
In her gowns and graces she certainly looked every inch a Duchess, and
there were many inches.
Her influence in the world was worthy of her station. She had eyes
which commanded, and could make presumption feel like a doormat on a
rainy day. She never forgot her coronet and was not genial; indeed, she
looked on mankind through diminishing lorgnettes, and saw it small. She
was one of the two hundred and twenty-three ladies, all the world over,
who know they are Supermen.
When June and the Archdeacon arrived at Armingham House, the fairy had
not quite recovered from the dumps. She had for a little while lost
confidence in herself, and felt no longer militant. She clung to the
Archdeacon, and was borne by him up the white and blue stairway between
footmen with heads of silver. The scene where the guests were welcomed
was magnificent. The servants in their yellow livery, the ladies with
their jewels, the sparkle, the laughter, and the flowers, made splendid
circumstance.
The picture, beautiful though it might be to mortal eyes, could not win
June from her state of weary self-consciousness. She listened to the
talk, and watched the movement listlessly. It was all the matter of
dream. In comparison with the wealth and royalty of Fairyland, it was
mere shadow, noise, nonsense and tinsel!
She was certainly feeling unappreciative and depressed.
Public-domain text, read in full here on John Shaqi.
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