England -- Social life and customs -- 19th century -- Fiction
BEFORE we plunge headlong into this paper, let us at once confess to a
fondness for pantomimes—to a gentle sympathy with clowns and
pantaloons—to an unqualified admiration of harlequins and columbines—to a
chaste delight in every action of their brief existence, varied and
many-coloured as those actions are, and inconsistent though they
occasionally be with those rigid and formal rules of propriety which
regulate the proceedings of meaner and less comprehensive minds. We
revel in pantomimes—not because they dazzle one’s eyes with tinsel and
gold leaf; not because they present to us, once again, the well-beloved
chalked faces, and goggle eyes of our childhood; not even because, like
Christmas-day, and Twelfth-night, and Shrove-Tuesday, and one’s own
birthday, they come to us but once a year;—our attachment is founded on a
graver and a very different reason. A pantomime is to us, a mirror of
life; nay, more, we maintain that it is so to audiences generally,
although they are not aware of it, and that this very circumstance is the
secret cause of their amusement and delight.
Let us take a slight example. The scene is a street: an elderly
gentleman, with a large face and strongly marked features, appears. His
countenance beams with a sunny smile, and a perpetual dimple is on his
broad, red cheek. He is evidently an opulent elderly gentleman,
comfortable in circumstances, and well-to-do in the world. He is not
unmindful of the adornment of his person, for he is richly, not to say
gaudily, dressed; and that he indulges to a reasonable extent in the
pleasures of the table may be inferred from the joyous and oily manner in
which he rubs his stomach, by way of informing the audience that he is
going home to dinner. In the fulness of his heart, in the fancied
security of wealth, in the possession and enjoyment of all the good
things of life, the elderly gentleman suddenly loses his footing, and
stumbles. How the audience roar! He is set upon by a noisy and
officious crowd, who buffet and cuff him unmercifully. They scream with
delight! Every time the elderly gentleman struggles to get up, his
relentless persecutors knock him down again. The spectators are
convulsed with merriment! And when at last the elderly gentleman does
get up, and staggers away, despoiled of hat, wig, and clothing, himself
battered to pieces, and his watch and money gone, they are exhausted with
laughter, and express their merriment and admiration in rounds of
applause.
Public-domain text, read in full here on John Shaqi.
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