For suddenly and quite unexpectedly Margaret Trent had become a factor
in his life. After long years their paths had touched again, and Vane
found that he could not turn away with the same careless indifference
as he had in the past. Though she had always attracted him, he had
never seriously contemplated the final step; he had had far too good a
time as a bachelor. And then when she had so unaccountably cooled
towards him, he had shrugged his shoulders and sought distraction
elsewhere.
Before the war Derek Vane had been what is generally described as a
typical Englishman. That is to say, he regarded his own
country--whenever he thought about it at all--as being the supreme
country in the world. He didn't force his opinion down anyone's
throat; it simply was so. If the other fellow didn't agree, the
funeral was his, not Vane's. He had to the full what the uninitiated
regard as conceit; on matters connected with literature, or art, or
music his knowledge was microscopic. Moreover, he regarded with
suspicion anyone who talked intelligently on such subjects. On the
other hand, he had been in the eleven at Eton, and was a scratch
golfer. He had a fine seat on a horse and rode straight; he could play
a passable game of polo, and was a good shot. Possessing as he did
sufficient money to prevent the necessity of working, he had not taken
the something he was supposed to be doing in the City very seriously.
He had put in a periodical appearance at a desk and drawn pictures on
the blotting paper; for the remainder of the time he had amused
himself. He belonged, in fact, to the Breed; the Breed that has always
existed in England, and will always exist till the world's end. You
may meet its members in London and in Fiji; in the lands that lie
beyond the mountains and at Henley; in the swamps where the stagnant
vegetation rots and stinks; in the great deserts where the night air
strikes cold. They are always the same, and they are branded with the
stamp of the breed. They shake your hand as a man shakes it; they meet
your eye as a man meets it. Just now a generation of them lie around
Ypres and La Bassee; Neuve Chapelle and Bapaume. The graves are
overgrown and the crosses are marked with indelible pencil. Dead--yes;
but not the Breed. The Breed never dies. . . .
We have it on reliable evidence that the breed has its faults; its
education is rotten. Men of great learning and understanding have
fulminated on the subject; women with their vast experience have looked
upon the Breed with great clarity of vision and have written as their
eyes have seen; even boys themselves who doubtless must be right, as
the question concerns them most, have contributed to current literature
one or two damning indictments.
Public-domain text, read in full here on John Shaqi.
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