"It's only when morning comes," he went on, and there was a hint of sadness in his voice, "that the strange, old-fashioned ideas creep shyly into the corner. Along with the tea have come some of the new smart ones which makes them feel badly dressed and dull. They feel that they are gauche--and yet they know that they are beautiful--wonderfully beautiful in their own badly dressed way. Timidly they watch from their corner--hoping, hoping. . . . And then at last they just disappear. They're only dream ideas, you see; I suppose they can't stand daylight and tea with saccharine in it, and reality. . . . It's as they float towards the window that sometimes they hear the girl talking to herself. 'Don't be a fool,' she says angrily, 'you've got to face facts, my dear. And a possible.' Charming without a bean in the world isn't a fact--it's a farce. It simply can't be done. . . . And three new very smart ideas in their best glad rags make three long noses at the poor little dowdy fellows as they go fluttering away to try to find another home." Vane laughed gently, and held out his cigarette case to the girl. And it was as she turned to take one that he saw her eyes were very bright--with the starry brightness of unshed tears. "Sure--but it's nice to talk rot at times, my lady, isn't it?" he murmured. "And, incidentally, I'm thinking I didn't tell the grey girl's story quite right. Because it wasn't herself that she was thinking of most; though," and his eyes twinkled, "I don't think, from my ideas of her, that she is cut out for love in a cottage, with even the most adorable Prince Charming. But it wasn't herself that came first; it was pride and love of home and pride and love of family." The girl bit her lip and stared at him with a troubled look. "Tell me, oh man of much understanding," she said softly, "what comes next?"