Psychological fiction; Railroad stations -- England -- London -- Fiction
A greasy little cabin it was, suggestive, to the sense of smell, of a
cabin in a Whaler. But there was a bright fire burning in its rusty
grate, and on the floor there stood a wooden stand of newly trimmed and
lighted lamps, ready for carriage service. They made a bright show, and
their light, and the warmth, accounted for the popularity of the room, as
borne witness to by many impressions of velveteen trousers on a form by
the fire, and many rounded smears and smudges of stooping velveteen
shoulders on the adjacent wall. Various untidy shelves accommodated a
quantity of lamps and oil-cans, and also a fragrant collection of what
looked like the pocket-handkerchiefs of the whole lamp family.
As Barbox Brothers (so to call the traveller on the warranty of his
luggage) took his seat upon the form, and warmed his now ungloved hands
at the fire, he glanced aside at a little deal desk, much blotched with
ink, which his elbow touched. Upon it were some scraps of coarse paper,
and a superannuated steel pen in very reduced and gritty circumstances.
From glancing at the scraps of paper, he turned involuntarily to his
host, and said, with some roughness:
"Why, you are never a poet, man?"
Lamps had certainly not the conventional appearance of one, as he stood
modestly rubbing his squab nose with a handkerchief so exceedingly oily,
that he might have been in the act of mistaking himself for one of his
charges. He was a spare man of about the Barbox Brothers time of life,
with his features whimsically drawn upward as if they were attracted by
the roots of his hair. He had a peculiarly shining transparent
complexion, probably occasioned by constant oleaginous application; and
his attractive hair, being cut short, and being grizzled, and standing
straight up on end as if it in its turn were attracted by some invisible
magnet above it, the top of his head was not very unlike a lamp-wick.
"But, to be sure, it's no business of mine," said Barbox Brothers. "That
was an impertinent observation on my part. Be what you like."
"Some people, sir," remarked Lamps in a tone of apology, "are sometimes
what they don't like."
"Nobody knows that better than I do," sighed the other. "I have been
what I don't like, all my life."
"When I first took, sir," resumed Lamps, "to composing little
Comic-Songs--like--"
Barbox Brothers eyed him with great disfavour.
"--To composing little Comic-Songs-like--and what was more hard--to
singing 'em afterwards," said Lamps, "it went against the grain at that
time, it did indeed."
Something that was not all oil here shining in Lamps's eye, Barbox
Brothers withdrew his own a little disconcerted, looked at the fire, and
put a foot on the top bar. "Why did you do it, then?" he asked after a
short pause; abruptly enough, but in a softer tone. "If you didn't want
to do it, why did you do it? Where did you sing them? Public-house?"
To which Mr. Lamps returned the curious reply: "Bedside."
Public-domain text, read in full here on John Shaqi.
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