Psychological fiction; Railroad stations -- England -- London -- Fiction
“I loved my wife fondly. I loved her—her name was Lucy. She was
English; but, after we were married, we lived long abroad—in Italy. She
liked the country, and I liked what she liked. She liked to draw, too,
and I got her a master. He was an Italian. I will not give his name.
We always called him ‘the Master.’ A treacherous insidious man this was,
and, under cover of his profession, took advantage of his opportunities,
and taught my wife to love him—to love him.
“I am short of breath. I need not enter into details as to how I found
them out; but I did find them out. We were away on a sketching
expedition when I made my discovery. My rage maddened me, and there was
one at hand who fomented my madness. My wife had a maid, who, it seemed,
had also loved this man—the Master—and had been ill treated and deserted
by him. She told me all. She had played the part of go-between—had
carried letters. When she told me these things, it was night, in a
solitary Italian town, among the mountains. ‘He is in his room now,’ she
said, ‘writing to her.’
“A frenzy took possession of me as I listened to those words. I am
naturally vindictive—remember that—and now my longing for revenge was
like a thirst. Travelling in those lonely regions, I was armed, and when
the woman said, ‘He is writing to your wife,’ I laid hold of my pistols,
as by an instinct. It has been some comfort to me since, that I took
them both. Perhaps, at that moment, I may have meant fairly by him—meant
that we should fight. I don’t know what I meant, quite. The woman’s
words, ‘He is in his own room now, writing to her,’ rung in my ears.”
The sick man stopped to take breath. It seemed an hour, though it was
probably not more than two minutes, before he spoke again.
“I managed to get into his room unobserved. Indeed, he was altogether
absorbed in what he was doing. He was sitting at the only table in the
room, writing at a travelling-desk, by the light of a single candle. It
was a rude dressing-table, and—and before him—exactly before him—there
was—there was a looking-glass.
“I stole up behind him as he sat and wrote by the light of the candle. I
looked over his shoulder at the letter, and I read, ‘Dearest Lucy, my
love, my darling.’ As I read the words, I pulled the trigger of the
pistol I held in my right hand, and killed him—killed him—but, before he
died, he looked up once—not at me, but at my image before him in the
glass, and his face—such a face—has been there—ever since, and mine—my
face—is gone!”
He fell back exhausted, and we all pressed forward thinking that he must
be dead, he lay so still.
Public-domain text, read in full here on John Shaqi.
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