Now in the world of the theatre there never is but always may be money.
It is always going to be made, so that everybody associated with it has
credit sustained by occasional payment. Clara realised this very early
in her career. She understood finance, because her grandfather had
discussed his affairs with her exactly as if she were his partner, and
she had had to keep a tight hand on his extravagance; and she quickly
understood that in the theatre money must be spent always a little
faster than it can be made to keep the current of credit flowing. She
also realised that Sir Henry Butcher spent it a great deal faster, and
was cool and warm towards the various projects laid before him
according as they made payment possible.... He had watched Charles
Mann's increase of fame with a jealous interest, but with a shrewdly
expert eye waited for the moment of capitalisation to come before he
committed himself to the new-fangled ways of dressing the stage, these
damned Greek tragedies, plays in curtains, German toy sets, and Russian
flummery in which painted blobs stood for trees and clouds. To Sir
Henry a tree was a tree, a cloud a cloud, and he liked nothing better
than to have real rabbits on the stage, if possible to out-Nature
Nature.... At the same time he knew that the public was changing. It
was becoming increasingly difficult to produce an instantaneous
success. The theatre did not stand where it had done in popular
esteem, and its personalities had no longer the vivid authority they
had once enjoyed. When the Prime Minister visited the Imperium, it was
rather Sir Henry than the Prime Minister who was honoured: a sad
declension, for Prime Ministers come and go, but a great actor rules
for ever as sole lessee and manager of an institution as familiar to
the general mind as the House of Commons. Prime Ministers had come and
gone, they had in turn accepted Sir Henry's kind offer of a box for the
first night, but latterly Prime Ministers had gathered popularity and
actor-managers had lost it, so great had been the deterioration of the
public mind since the introduction of cheap newspapers, imposing upon
every public character the necessity of a considerable waste of energy
in advertising.... In the old days, a great man's advertising was done
for him in acknowledgment of his greatness. Sir Henry was uneasy,
could not shake off the gathering gloom, and a deep-seated conviction
that Lady Butcher had made the fatal mistake of his career by devoting
herself so exclusively to the front of the house and social drapery,
bringing him into intimate contact with such persons as Prime
Ministers, Dukes, and Attorney-Generals.... The public had been
admitted behind the scenes. The mystery was gone. The theatre, even
the Imperium had lost its spell. Nothing in it was sacred; not even
rehearsals, which were continually interrupted by journalists, male and
female, elegant young men and women who were friends and acquaintances
Public-domain text, read in full here on John Shaqi.
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