Munsey's Magazine, Vol. VI, No. 1, October 1891 — John Shaqi
Munsey's Magazine, Vol. VI, No. 1, October 1891Various
History
Munsey's Magazine, Vol. VI, No. 1, October 1891
Various
American periodicals
A specimen that calls for a word of notice, as one of the most valuable
in the museum, stands on the right hand side of the entrance to this
lower hall. It is an awkward looking bird of medium size, dark plumage,
and disproportionately large bill, and its label designates it as the
Great Auk. It is, in fact, one of the very few extant relics of a species
that has within the memory of living man disappeared from the earth.
There are but three others in this country—one in the National Museum
at Washington, one in the Philadelphia Academy of Natural Science, and
one in the collection belonging to Vassar College. The money value of a
specimen of such rarity is hard to fix precisely, but it undoubtedly runs
into the thousands of dollars.
[Illustration: A DETHRONED IDOL.]
The second floor—the main story of the building—is principally devoted
to cases of stuffed birds. These multitudinous rows of single specimens,
each perched upon its neat stand of cherry wood, are, of course, less
picturesque than the grouped figures, but are nevertheless of great
interest and value. The martial aspect of the eagles, the curious
structure of the pelicans and secretary birds, and the bright plumage of
the flamingoes, the peacocks, and the argus pheasant attract attention
and admiration.
Here, too, are the osseous remains of the late lamented Jumbo, to whom
has fallen the rare privilege of achieving a double immortality; for
while his pachydermatous hide, stuffed with straw, is still a feature of
the “Greatest Show on Earth,” his skeleton stands majestically on the
visitor’s right hand as he enters the second hall of the museum. Sea
lions, walruses and other marine monsters are also to be found on this
floor, besides a few stuffed groups. One of these last shows a family of
screech owls, with their nest deep in a hollow tree. Another—one of the
best in the museum—represents a scene in the tree tops of Borneo, and
includes five fine specimens of the orang-utan, or Wild Man of the Woods,
the great simian that disputes with the African chimpanzee and gorilla,
the honor of being the brute’s nearest approach to man. Playing among the
branches and eating the fruit of the durian, we see here a group that
shows the orang-utan (we follow the spelling adopted by the museum) at
various periods of its life and growth. There are a baby, a young female,
a full grown male, and two veterans—one of either sex—with long, black
hair and hideously wrinkled faces.
Public-domain text, read in full here on John Shaqi.
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