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MURDER IN BLACK LETTER
POUL ANDERSON
THE MACMILLAN COMPANY
NEW YORK · CHICAGO
DALLAS · ATLANTA · SAN FRANCISCO
LONDON · MANILA
IN CANADA
BRETT-MACMILLAN LTD.
GALT, ONTARIO
_New York_
THE MACMILLAN COMPANY
1960
POUL ANDERSON 1960
[Transcriber's Note: Extensive research did not uncover any evidence
that the U.S. copyright on this publication was renewed.]
All rights reserved--no part of this book may be reproduced in any
form without permission in writing from the publisher, except by a
reviewer who wishes to quote brief passages in connection with a
review written for inclusion in magazine or newspaper.
_First Printing_
Library of Congress catalog card number: 59-5690
The Macmillan Company, New York
Brett-Macmillan Ltd., Galt, Ontario
Printed in the United States of America
_To him whom I shall ever regard
as the best and wisest man whom
I have ever known_
DISCLAIMER
Except, of course, for Taffimai Metallumai, all characters in this book
are fictitious, without intentional resemblance to any actual person,
living or dead. The events described are made up out of whole cloth.
The hotels, restaurants, companies, and other business enterprises
herein mentioned are equally nonexistent. Two real institutions occur:
the University of California and the Berkeley Police Department. There
is no implication intended that either of these would condone all the
actions and opinions of the imaginary people I have wished onto their
payrolls.
1
Steel talked between roses. Kintyre parried Yamamura's slash; his
riposte thumped on the other man's arm.
"Touché!" exclaimed the detective. He took off his mask and wiped sweat
from a long, high-cheeked face. "Or is it you who's supposed to say
that? Anyhow, enough for today."
"You're not doing so badly, Trig," Kintyre told him. "And I have some
revenge due for all those times you've had me cartwheeling through the
air, down at the dojo."
Trygve Yamamura clicked his tongue. He stood over six feet tall, lanky,
the Oriental half of him showing mostly in narrow black eyes and
smoked-amber skin. "You would use sabers, wouldn't you?" he said.
Robert Kintyre shrugged. "A foil is for women and I'm not fast enough
for an épée. Also, there's professional interest. A saber is a wee bit
closer to the Renaissance weapon."
"I think I'll stick to Japanese swords."
Public-domain text, read in full here on John Shaqi.
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