Country homes -- England -- Fiction; Detective and mystery stories; Murder -- Investigation -- Fiction
The sound of the piano reasserted itself in the comparative silence
which followed the passing of the car. Roger made a gesture of
impatience.
“I suppose that’s my nephew playing?” he demanded.
“He was shooting darts at a target in the garden, a short time ago,”
Stenness explained, “but I think he came in a few minutes ago.”
“It sounds like him. Since he had that attack of sleepy sickness he
always fumbles a bit on his chords—doesn’t seem able to manage his
fingers perfectly. That makes this din all the harder to bear.”
Stenness refrained from any comment. Roger, after a pause, continued
irritably.
“Where are the visitors, Stenness? I wish they’d attract him out of
the house. Some days he’s all right and one never sees him. Other days
he sits and pounds that piano till one’s head rings with it.”
“I noticed Miss Forrest and Mr. Torrance going towards the rose garden
a few minutes ago.”
Stenness confined himself to answering the direct question and quietly
ignored Roger’s exasperation. It was no business of his to intervene
in family squabbles.
“Well, that’s all I have for you at present, Stenness. As you’re
passing the door, send my nephew to me, will you? I must put a stop to
this nuisance. It’s gone on quite long enough.”
The secretary made a gesture of assent, then gathered up his papers
and left the room. A few seconds later, the piano-playing stopped
abruptly in the middle of a bar, and Roger’s ear caught the clang of
the keyboard lid being carelessly slammed. After a moment or two, his
nephew entered the study.
In order to give his irritation time to cool down, Roger refrained
from speaking immediately. He motioned his nephew to sit down, whilst
he himself pulled out his cigar-case and became busy with the
preparations for a smoke. Having got his cigar well alight, he turned
round.
“Must you hammer that piano for hours at a time, Arthur? I hate to
interfere with your simple pleasures, of course; but the infernal din
you make has had quite a long enough run. You’ve played
_Frühlingsrauschen_ at least two dozen times to-day; and that’s just
twenty-four times oftener than I want to hear it. You can cut it out
of the bill, after this. In fact, you can leave the piano alone, once
for all. I’m sick of hearing you play. You’re a nuisance to everyone,
raising Pandemonium at all hours of the day. Find some quieter
amusement, or clear out of the house.”
Arthur Hawkhurst’s eyebrows rose in mild surprise at his uncle’s
complaint.
“I’d no idea it worried you, uncle.”
“Well, drop it.”
“Perhaps I have been overdoing _Frühlingsrauschen_ a bit. I hadn’t
thought of that. Somehow I never seem to get through it without a
mistake in one or two chords, and I want to make a clean job of it,
once at least.”
“I’ve got a pair of quite good ears. You needn’t think I missed your
mistakes. They make it more irritating, that’s all.”
Arthur hastened to admit his errors.
Public-domain text, read in full here on John Shaqi.
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