Everything went like clockwork. I bought a little gift for Maudie and
presented it to her early in the evening. The dinner was very gay and,
just as we were about to leave, I announced that I had another gift.
Maudie was delighted with the chain. I didn't even have to fasten it
around her neck as I had planned. She snapped the clasp herself and
went to the mirror in the foyer, preening and admiring herself and the
necklace that winked and glittered in the light. I was the last one out
of the door and Maudie clung to me for a minute, drawing my head down
to kiss me. Maybe she'd softened up enough to lend me a few thousand,
I thought, but even if she had, it was too late. I couldn't very well
snatch the necklace back even if it were possible to release it from
about her throat.
I don't remember much about the play. I was thinking of Maudie all
the time and I was torn between all sorts of doubts and fears. One
minute I'd be way down in the dumps and the next I'd be floating up in
the clouds planning all the good times Isabelle and I could have with
Maudie's millions. In my mind I'd see a picture of Maudie lying dead
and then I'd decide that Rosy had conned me and Maudie would be as spry
as ever when we got home. Sometimes I'd want it one way and sometimes
the other. I was really mixed up and on edge.
The play seemed to last for about ten light years but actually it
wasn't quite midnight when we caught a taxi outside the theatre. As
soon as we rounded the corner and were in sight of the marquee of the
apartment house, I knew something had gone wrong. Two red and white
police cars blocked off the entrance of the house and a curious throng
of people had gathered around.
I'd expected to have a chance to retrieve the necklace before the
police were called. In the confusion of discovering her body no one
would notice or, even if some one did, it wouldn't appear particularly
odd for me to unfasten the necklace and slip it in my pocket. After
all, it would have been my last gift to her.
With the police already on the scene that part of the plan was out.
Nothing was left except to play it by ear. We pushed our way through
the curious idlers and the neighbors who'd come out into the halls. A
cop was at the front door but as soon as we'd identified ourselves he
ushered us into Maudie's big front room. Only two cops were there. I
didn't get the smaller one's name but the towering man in plain clothes
introduced himself as Lieutenant Onsett, of Central Homicide.
Just the mention of homicide was enough to give me the jitters bad
but fortunately Isabelle stole the scene with a fit of hysterics that
nearly blew the roof of the place. She distracted everyone with her
screaming jag long enough for me to slip into the bedroom for a look
at Maudie. She lay straight on the bed, her arms flung out, her face
contorted and blue but not a mark on her throat.
Public-domain text, read in full here on John Shaqi.
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