Though George Parker's name is not formally attached to this "Cantata" there would appear little doubt, from internal evidence, that it, with the two songs immediately following, forms part of a characteristic series from the pen of this roving soldier-actor. Parker was born in 1732 at Green Street, near Canterbury and was 'early admitted', he says, 'to walk the quarterdeck as a midshipman on board the Falmouth and the Guernsey'. A series of youthful indiscretions in London obliged him to leave the navy, and in or about 1754 to enlist as a common soldier in the 2Oth regiment of foot, the second battalion of which became in 1758 the 67th regiment, under the command of Wolfe. In his regiment he continued a private, corporal, and sergeant for seven years, was present at the siege of Belleisle, and saw service in Portugal, Gibraltar, and Minorca. At the end of the war he returned home as a supernumerary excise-man. About 1761 his friends placed him in the King's Head inn at Canterbury where he soon failed. Parker went upon the stage in Ireland, and in company with Brownlow Ford, a clergyman of convivial habits, strolled over the greater part of the island. On his return to London he played several times at the Haymarket, and was later introduced by Goldsmith to Colman. But on account of his corpulence Colman declined his services. Parker then joined the provincial strolling companies, and was engaged for one season with Digges, then manager of the Edinburgh Theatre. At Edinburgh he married an actress named Heydon, from whom, however, he was soon obliged to part on account of her dissolute life. Returning again to London, he set up as wandering lecturer on elocution, and in this character travelled with varying success through England. In November 1776 he set out on a visit to France, and lived at Paris for upwards of six months on funds supplied by his father. His resources being exhausted, he left Paris in the middle of July 1777 on foot. On reaching England he made another lecturing tour, which proved unsuccessful. His wit, humour, and knowledge of the world rendered him at one time an indispensable appendage to convivial gatherings of a kind; but in his later days he was so entirely neglected as to be obliged to sell gingerbread-nuts at fairs and race-meetings for a subsistance. He died in Coventry poorhouse in April 1800. _The Happy Pair and The Bunter's Christening and The Masqueraders_ See note (_ante_) to "The Sandman's Wedding". _Life's Painter etc._ ran through several editions. _The Flash Man of St. Giles_