In speaking of the two musical instruments in use Graf Pfeil says,
"They are the 'Tutupele' on New Britain and Duke of York, and a sort
of pan pipe or flute on the Solomon Islands. The former may hardly be
called an instrument. It is used in connection with the superstitious
ceremonies of the Dult-Dult practice, and is supposed to herald the
appearance of the spirits. Two pieces of wood are carved down till they
sound two neighboring notes, such as c-d, g-a, or f-g. They are then
placed over a little hollow dug in the ground, and are beaten with
small club sticks....
"The other instrument is used by the Solomon Islanders. They assemble
three or four men, each armed with his flute, of which the largest pipe
is about three feet in length, with a two-inch internal diameter. There
are five of these pipes in each instrument. They are made of bamboo,
and played by being raised to the lips and strongly blown into. The
sound, especially when heard from a long distance, which robs it of its
harshness, is not at all unpleasant, but has rather a melodious, though
sad, character. The few men who play these instruments begin turning
round and round, and others, wishing to join in the dance, gather
round them, also moving in a circle. When a hundred dancers perform,
those on the outside run at a headlong speed, while those forming the
centre spin, but very slowly. The dancers accompany the players by very
curious half-whistling sounds, which sound like the twitter of birds.
The louder and shriller the sounds the prettier they are thought to
be....
"On the Duke of York, boys have a curious, cruel way of procuring
music. They take a large beetle and break off one of its legs. In the
remaining stump they push a lot of elastic gum, of which they hold the
other end. The beetle is now made to fly, but not being able to get
away from the boy's hand, keeps circling round and round it, emitting a
loud whirring or humming sound....
"All these races sing. Their songs are very monotonous, but are
defined, like our own. You can ask them to sing such or such a song,
and they will always sing it exactly as they sang it before. All songs
are sung in a subdued voice, as the melancholy and suspicious character
of the people prevents all loud demonstrations of mirth.... I have
never heard their songs accompanied by any instrument, excepting at
a dance, when, to my sorrow, combined vocal and instrumental efforts
served as an accompaniment to the dance."
Public-domain text, read in full here on John Shaqi.
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