Music and Some Highly Musical PeopleTrotter, James M.
History
Music and Some Highly Musical People
Trotter, James M.
African American musicians -- Biography; African Americans -- Music
up to proper tune. Tom had but to listen, and he retained
every sound which the dancing-master produced. Tom's
imitation on the piano--first of the striking of the
violin-strings with the fingers for some time, after the
manner of violinists, then seeing if they chorded well,
again touching up the strings, anon giving a little bit of a
polka, and once more adjusting the strings, and so on, all
exactly as he heard it--was as amusing as it was
astonishing. No one with an ear for music should miss the
opportunity of going to hear him ere he leaves."
From "The Edinburgh Scotsman:"--
"'BLIND TOM.'--Last night this negro boy, of whose
remarkable performances so much has been said and written of
late, made his first appearance here in the Operetta House.
There was a crowded audience, among whom were a number of
the musical _cognoscenti_ of Edinburgh, whose curiosity had
been excited by the reputation he had gained in America, as
well as by the favorable notices of the press in this
country, and the testimony of such men as Moscheles and
Halle.... It is only when he sits down to the instrument,
that he becomes, as it were, inspired. He played several
pieces on this occasion from memory, and displayed great
execution, and a greater amount of feeling and expression
than we were prepared to expect. One of the best of these
was the fantasia on the Hundredth Psalm, which was
brilliantly executed. One of his most extraordinary feats is
the reproduction of any piece once played over to him. On
this occasion, Mr. Laurie, who was present, at the
invitation of the manager ascended the platform, and played
a composition by R. Muller, which occupied nearly five
minutes. He no sooner left the instrument than 'Blind Tom'
took his seat, and gave a correct imitation. His ability to
name any combination of notes, no matter how disconnected
and puzzling the intervals, was fully proved. The
professional gentleman we have named struck simultaneously
no less than twenty notes on the piano; and these 'Blind
Tom' named without a single mistake."
From "The Dundee Advertiser:"--
Public-domain text, read in full here on John Shaqi.
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