Music and Some Highly Musical PeopleTrotter, James M.
History
Music and Some Highly Musical People
Trotter, James M.
African American musicians -- Biography; African Americans -- Music
On the following pages I shall make mention in collective form, and
somewhat briefly, of a number of artists whose histories, although not
less important than those by which they are preceded, could not, owing
to various causes, be placed in the first part of this book.
The true value of musical proficiency does not consist alone in the
power it gives one to win the applause of great audiences, and thereby
to attain to celebrity: it consists also in its being a source of
refinement and pleasure to the possessor himself, and by which he may
add to the tranquillity, the joys, of his own and the home life of his
neighbors and friends. And here will be found, therefore, a brief
mention of those, who, although they are not public performers, are
yet sincere devotees of the art of music, who possess decided talent,
and who in their attainments present instances of a character so
noticeable as to render the same well worthy of record.
It is considered proper to say, also,--a caution which perhaps may not
be necessary,--that I shall here make mention by name of none but
persons of scientific musical culture; of none but those who read the
printed music page, and can give its contents life and expression,
generally, too, with a fine degree of excellence, either with voice or
instrument; and who evince by their studies and performances the true
artistic spirit. The singer or player "by ear" merely, however well
favored by nature, will not be mentioned. This course will be
followed, not because persons of the latter class are regarded
contemptuously,--not by any means; but because it is intended that the
list here given shall be, as far as it goes, a true record of what
pertains to the higher reach and progress of a race, which, always
considered as _naturally_ musical, has yet, owing to the blighting
influences of the foul system of slavery, been hitherto prevented from
obtaining, as generally as might be, a _scientific_ knowledge of
music.
Nor must the list of names furnished be understood as an exhaustive
one. Had the author the time in which to collect more names, or had he
here the space for printing the same, he assures the reader of this
only partial chronicle that one could be furnished which would be many
times larger. And moreover, if any meritorious musician shall complain
because his name does not here appear, I ask him to pardon the
omission, made not from choice, nor with the purpose of giving
personal offence.
Public-domain text, read in full here on John Shaqi.
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