Music and Some Highly Musical PeopleTrotter, James M.
History
Music and Some Highly Musical People
Trotter, James M.
African American musicians -- Biography; African Americans -- Music
If the first edition of this book shall be received with such favor as
to warrant the issuing of a second one, I shall, if it be found
necessary, take the time and pains to supply in it such omissions as
appear to be made in this one. If it be found necessary, I say; for I
am inclined to opine that ere long,--judging from a "view of the
field" that I have lately taken, and after witnessing there the many
delightful evidences of musical love and culture,--that ere long
neither such lists as this, nor just such books as this, will be
considered as necessary.
Nevertheless, the writer requests all who are interested in the more
general cultivation of music by the people to send him such names as
have been here left out, together with all facts that may additionally
illustrate the subject treated in these pages; all names and
statements to be accompanied by as strong confirmation as can possibly
be procured. These will be published in case other editions of the
book are issued.
It is hoped that the persons here mentioned, on seeing that their
present achievements in art are regarded as of so much value in
indicating the aesthetic taste and musical capacity of their race, may
be impelled thereby to put forth even greater efforts, and to thus
attain to that still higher state of usefulness and distinction,
which, it is believed, their talents and present accomplishments show
is quite possible.
In the city of Boston, which is the acknowledged great art centre of
this country, the amplest facilities for the study of music are
afforded. There the doors of conservatories and other music schools,
among the finest of any in the world, are thrown open to _all_; the
cost of admission being, considering the many advantages afforded,
quite moderate. A love of the "divine art" pervades all classes in
Boston; and there the earnest student and the skilful in music, of
whatever race he may be, receives ready recognition and full
encouragement. It is, in fact, almost impossible for one to live in
that city of melody, and not become either a practical musician, or at
least a lover of music.
It need not, then, be a matter of surprise that so many of the most
finely-educated artists mentioned in this book are found to have been
residents of the city mentioned. Affected by its all-pervading, its
infectious, so to say, musical spirit, they eagerly embraced the many
opportunities offered for culture; and their noble achievements are
only such as would have been made by others of the same race residing
in other sections of the country, had the latter enjoyed there (as,
alas! mostly on account of the depressing, the vile spirit of caste
that prevailed, they did not) the same advantages as the former.
* * * * *
Public-domain text, read in full here on John Shaqi.
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