Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples — John Shaqi
Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient PeoplesDickinson, Edward
History
Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples
Dickinson, Edward
Church music
Produced by Stephen Hutcheson
MUSIC IN THE HISTORY
OF THE WESTERN CHURCH
_WITH AN INTRODUCTION
ON RELIGIOUS MUSIC AMONG PRIMITIVE AND
ANCIENT PEOPLES_
BY
EDWARD DICKINSON
_Professor of the History of Music, in the Conservatory of Music,
Oberlin College_
HASKELL HOUSE PUBLISHERS Ltd.
_Publishers of Scarce Scholarly Books_
NEW YORK. N.Y. 20012
1969
First Published 1902
HASKELL HOUSE PUBLISHERS Ltd.
_Publishers of Scarce Scholarly Books_
280 LAFAYETTE STREET
NEW YORK. N.Y. 10012
Library of Congress Catalog Card Number: 68-25286
Standard Book Number 8383-0301-3
Printed in the United States of America
PREFACE
The practical administration of music in public worship is one of the
most interesting of the secondary problems with which the Christian
Church has been called upon to deal. Song has proved such a universal
necessity in worship that it may almost be said, no music no Church. The
endless diversity of musical forms and styles involves the perennial
question, How shall music contribute most effectually to the ends which
church worship has in view without renouncing those attributes upon which
its freedom as fine art depends?
The present volume is an attempt to show how this problem has been
treated by different confessions and in different nations and times; how
music, in issuing from the bosom of the Church, has been moulded under
the influence of varying ideals of devotion, liturgic usages, national
temperaments, and types and methods of expression current in secular art.
It is the author’s chief purpose and hope to arouse in the minds of
ministers and non-professional lovers of music, as well as of church
musicians, an interest in this branch of art such as they cannot feel so
long as its history is unknown to them. A knowledge of history always
tends to promote humility and reverence, and to check the spread of
capricious perversions of judgment. Even a feeble sense of the grandeur
and beauty of the forms which ecclesiastical music has taken, and the
vital relation which it has always held in organized worship, will serve
to convince a devoted servant of the Church that its proper
administration is as much a matter of concern to-day as it ever has been
in the past.
Public-domain text, read in full here on John Shaqi.
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