Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient PeoplesDickinson, Edward
History
Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples
Dickinson, Edward
Church music
Luther felt his mission to be that of a purifier, not a destroyer. He
would repudiate, not the good and evil alike in the ancient Church, but
only that which he considered false and pernicious. This judicious
conservatism was strikingly shown in his attitude toward the liturgy and
form of worship, which he would alter only so far as was necessary in
view of changes in doctrine and in the whole relation of the Church as a
body toward the individual. The altered conception of the nature of the
eucharist, the abolition of homage to the Virgin and saints, the
prominence given to the sermon as the central feature of the service, the
substitution of the vernacular for Latin, the intimate participation of
the congregation in the service by means of hymn-singing,—all these
changes required a recasting of the order of worship; but everything in
the old ritual that was consistent with these changes was retained.
Luther, like the founders of the reformed Church of England, was
profoundly conscious of the truth and beauty of many of the prayers and
hymns of the mother Church. Especially was he attached to her music, and
would preserve the compositions of the learned masters alongside of the
revived congregational hymn.
As regards the form and manner of service, Luther’s improvements were
directed (1) to the revision of the liturgy, (2) the introduction of new
hymns, and (3) the arrangement of suitable melodies for congregational
use. Luther’s program of liturgic reform is chiefly embodied in two
orders of worship drawn up for the churches of Wittenberg, _viz._, the
Formula Missae of 1523 and the Deutsche Messe of 1526.
Public-domain text, read in full here on John Shaqi.
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