Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient PeoplesDickinson, Edward
History
Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples
Dickinson, Edward
Church music
Luther rejected absolutely the Catholic conception of the act of worship
as in itself possessed of objective efficacy. The terms of salvation are
found only in the Gospel; the worship acceptable to God exists only in
the contrite attitude of the heart, and the acceptance through faith of
the plan of redemption as provided in the vicarious atonement of Christ.
The external act of worship in prayer, praise, Scripture recitation,
etc., is designed as a testimony of faith, an evidence of thankfulness to
God for his infinite grace, and as a means of edification and of kindling
the devotional spirit through the reactive influence of its audible
expression. The correct performance of a ceremony was to Luther of little
account; the essential was the prayerful disposition of the heart and the
devout acceptance of the word of Scripture. The substance of worship,
said Luther, is “that our dear Lord speaks with us through his Holy Word,
and we in return speak with him through prayer and song of praise.” The
sermon is of the greatest importance as an ally of the reading of the
Word. The office of worship must be viewed as a means of instruction as
well as a rite contrived as the promoter and expression of religious
emotion; the believer is in no wise to be considered as having attained
to complete ripeness and maturity, since if it were so religious worship
would be unnecessary. Such a goal is not to be attained on earth. The
Christian, said Luther, “needs baptism, the Word, and the sacrament, not
as a perfected Christian, but as a sinner.”
The Formula Missae of 1523 was only a provisional office, and may be
called an expurgated edition of the Catholic Mass. It is in Latin, and
follows the order of the Roman liturgy with certain omissions, _viz._,
all the preliminary action at the altar as far as the Introit, the
Offertory, the Oblation and accompanying prayers as far as the Preface,
the Consecration, the Commemoration of the Dead, and everything following
the Agnus Dei except the prayer of thanksgiving and benediction. That is
to say, everything is removed which characterizes the Mass as a priestly,
sacrificial act, or which recognizes the intercessory office of the
saints. The musical factors correspond to the usage in the Catholic Mass;
Luther’s hymns with accompanying melodies were not yet prepared, and no
trace of the Protestant choral appears in the Formula Missae.
Public-domain text, read in full here on John Shaqi.
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