Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient PeoplesDickinson, Edward
History
Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples
Dickinson, Edward
Church music
Notwithstanding the revolutions in the authorized ceremony of the Church
of England during the stormy Reformation period, from the revised
constitutions of Henry VIII. and Edward VI. to the restored Catholicism
of Mary, and back to Protestantism again under Elizabeth, the salaried
musicians of the Church retained their places while their very seats
seemed often to rock beneath them, writing alternately for the Catholic
and Protestant services with equal facility, and with equal satisfaction
to themselves and their patrons. It was a time when no one could tell at
any moment to what doctrine or discipline he might be commanded to
subscribe, and many held themselves ready loyally to accept the faith of
the sovereign as their own. Such were the ideas of the age that the
claims of uniformity could honestly be held as paramount to those of
individual judgment. Only those who combined advanced thinking with
fearless independence of character were able to free themselves from the
prevailing sophistry on this matter of conformity _vs._ freedom. Even a
large number of the clergy took the attitude of compliance to authority,
and it is often a matter of wonder to readers of the history of this
period to see how comparatively few changes were made in the incumbencies
of ecclesiastical livings in the shifting triumphs of the hostile
confessions. If this were the case with the clergy it is not surprising
that the church musicians should have been still more complaisant. The
style of music performed in the new worship, we must remember, hardly
differed in any respect from that in use under the old system. The
organists and choir masters were not called upon to mingle in theological
controversies, and they had probably learned discretion from the
experience of John Marbecke, who came near to being burned at the stake
for his sympathy with Calvinism. As in Germany, there was no necessary
conflict between the musical practices of Catholics and Protestants. The
real animosity on the point of liturgies and music was not between
Anglicans and Catholics, but between Anglicans and Puritans.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account