Opening the text

Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient PeoplesDickinson, Edward

History

Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples

Name: Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples
Author: Dickinson, Edward

Dickinson, Edward

Church music

Kahle, 376, 381.
  Kiel, 212, 321.
  Kinnor, 21.
  Kretzschmar, quoted, 306.
  Kunrad der Marner, 229.
  Kyrie eleison, 57, 87;
      popular use in Germany, 229.


                                    L

  Lanciani, quoted, 63.
  Lang, Andrew, quoted, 7.
  Laodicea, injunction in regard to singing by council of, 50, 51.
  Lassus, 93, 133, 154, 167, 172.
  Latimer, 329.
  Lemaire, quoted, 116.
  Leo I., pope, 110.
  Lesueur, 214.
  “Lining out,” 370.
  Liszt, criticisms upon Paris church music, 206;
      imagines a new style of religious music, 214.
  Liturgy, Anglican, 329;
      modes of rendering, 333 _et seq._;
      intoning of prayers, 337.
  Liturgy, Catholic, origin of, 81, 83;
      language of, 82;
      outline and components of, 87;
      a musical liturgy, 92.
  Liturgy, Luther’s, see Formula Missae, and Deutsche Messe.
  Liturgy of St. James, 49, 50;
      of St. Mark, 49.
  Longfellow, translation of “O gladsome light,” 58.
  Lotti, 133.
  Louis IX., king of France, 148.
  Luther, his service to German hymnody, 226, 243, 248;
      his reform of the liturgy, 244;
      his theory of worship, 245;
      origin of his hymns, 250;
      their spirit and literary style, 251;
      nature of his work for congregational music, 258;
      Luther not a composer of tunes, 259;
      quoted, 260.
  Lyric poetry, two forms of, 27.
  Lyte, 381.


                                    M

  Mackenzie, 355.
  Marbecke, his musical setting of the English Prayer Book, 337.
  Marot, psalm translations of, 359.
  Martin, 355.
  Mary, queen of England, reaction under, 329, 332.
  Mass, theory of, 83, 91, 240;
      different kinds of, 85;
      in England, 328, 332.
      See also Liturgy, Catholic.
  Milman, 381.
  Milton, 365.
  Mixed mode of performing the Anglican service, 335.
  Monk, 355, 383.
  Montgomery, 381.


                                    N

  Naninis, the, 168.
  Neale, quoted on the Greek hymns, 59.
  Nebel, 22.
  Netherlanders, age of the, 149.
  Neukomm, 207.
  Newman, 381.
  Newton, 381, 387.
  Nicholas I., pope, 122.
  Notker Balbulus, reputed founder of the Sequence, 121.


                                    O

  Oblation of the Host, 88.
  Offertory, 88.
  Opera, invention of, 186, 188;
      ideal and form of early Italian, 190;
      opera and church, 193.
  Oratorio, its rise in Germany and effect on church music, 319.
  Organ music, its beginnings in Venice, 169, 171;
      in the German Protestant Church, 269, 270, 290;
      Bach’s organ works, see Bach.
  Organs, Puritan hatred of, 365, 370;
      destroyed by the Puritans, 371.
  Organum, 136.
  Osmund, bishop of Salisbury, 331.


                                    P

Public-domain text, read in full here on John Shaqi.

Opening the text

Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient PeoplesDickinson, Edward

History

Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples

Dickinson, Edward

Church music

Kahle, 376, 381.
  Kiel, 212, 321.
  Kinnor, 21.
  Kretzschmar, quoted, 306.
  Kunrad der Marner, 229.
  Kyrie eleison, 57, 87;
      popular use in Germany, 229.


                                    L

  Lanciani, quoted, 63.
  Lang, Andrew, quoted, 7.
  Laodicea, injunction in regard to singing by council of, 50, 51.
  Lassus, 93, 133, 154, 167, 172.
  Latimer, 329.
  Lemaire, quoted, 116.
  Leo I., pope, 110.
  Lesueur, 214.
  “Lining out,” 370.
  Liszt, criticisms upon Paris church music, 206;
      imagines a new style of religious music, 214.
  Liturgy, Anglican, 329;
      modes of rendering, 333 _et seq._;
      intoning of prayers, 337.
  Liturgy, Catholic, origin of, 81, 83;
      language of, 82;
      outline and components of, 87;
      a musical liturgy, 92.
  Liturgy, Luther’s, see Formula Missae, and Deutsche Messe.
  Liturgy of St. James, 49, 50;
      of St. Mark, 49.
  Longfellow, translation of “O gladsome light,” 58.
  Lotti, 133.
  Louis IX., king of France, 148.
  Luther, his service to German hymnody, 226, 243, 248;
      his reform of the liturgy, 244;
      his theory of worship, 245;
      origin of his hymns, 250;
      their spirit and literary style, 251;
      nature of his work for congregational music, 258;
      Luther not a composer of tunes, 259;
      quoted, 260.
  Lyric poetry, two forms of, 27.
  Lyte, 381.


                                    M

  Mackenzie, 355.
  Marbecke, his musical setting of the English Prayer Book, 337.
  Marot, psalm translations of, 359.
  Martin, 355.
  Mary, queen of England, reaction under, 329, 332.
  Mass, theory of, 83, 91, 240;
      different kinds of, 85;
      in England, 328, 332.
      See also Liturgy, Catholic.
  Milman, 381.
  Milton, 365.
  Mixed mode of performing the Anglican service, 335.
  Monk, 355, 383.
  Montgomery, 381.


                                    N

  Naninis, the, 168.
  Neale, quoted on the Greek hymns, 59.
  Nebel, 22.
  Netherlanders, age of the, 149.
  Neukomm, 207.
  Newman, 381.
  Newton, 381, 387.
  Nicholas I., pope, 122.
  Notker Balbulus, reputed founder of the Sequence, 121.


                                    O

  Oblation of the Host, 88.
  Offertory, 88.
  Opera, invention of, 186, 188;
      ideal and form of early Italian, 190;
      opera and church, 193.
  Oratorio, its rise in Germany and effect on church music, 319.
  Organ music, its beginnings in Venice, 169, 171;
      in the German Protestant Church, 269, 270, 290;
      Bach’s organ works, see Bach.
  Organs, Puritan hatred of, 365, 370;
      destroyed by the Puritans, 371.
  Organum, 136.
  Osmund, bishop of Salisbury, 331.


                                    P

Public-domain text, read in full here on John Shaqi.

Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples

Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples

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