Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient PeoplesDickinson, Edward
History
Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples
Dickinson, Edward
Church music
With the edicts of Constantine early in the fourth century, which
practically made Christianity the dominant religious system of the
empire, the swift dilation of the pent-up energy of the Church
inaugurated an era in which ritualistic splendor kept pace with the rapid
acquisition of temporal power. The hierarchical developments had already
traversed a course parallel to those of the East, and now that the Church
was free to work out that genius for organization of which it had already
become definitely conscious, it went one step farther than the Oriental
system in the establishment of the papacy as the single head from which
the subordinate members derived legality. This was not a time when a
democratic form of church government could endure. There was no place for
such in the ideas of that age. In the furious tempests that overwhelmed
the Roman empire, in the readjustment of political and social conditions
all over Europe, with the convulsions and frequent triumphs of savagery
that inevitably attended them, it was necessary that the Church, as the
sole champion and preserver of civilization and righteousness, should
concentrate all her forces, and become in doctrine, worship, and
government a single, compact, unified, spiritual state. The dogmas of the
Church must be formulated, preserved, and guarded by an official class,
and the ignorant and fickle mass of the common people must be taught to
yield a reverent, unquestioning obedience to the rule of their spiritual
lords. The exposition of theology, the doctrine of the ever-renewed
sacrifice of Christ upon the altar, the theory of the sacraments
generally, all involved the conception of a mediatorial priesthood
deriving its authority by direct transmission from the apostles. Out of
such conditions and tendencies proceeded also the elaborate and
awe-inspiring rites, the fixed liturgies embalming the central dogmas of
the faith, and the whole machinery of a worship which was itself viewed
as of an objective efficacy, inspired by the Holy Spirit, and designed
both for the edification of the believer and as an offering of the Church
to its Redeemer. In the development of the outward observances of
worship, with their elaborate symbolic ceremonialism, the student is
often struck with surprise to see how lavishly the Church drew its forms
and decorations from paganism and Judaism. But there is nothing in this
that need excite wonder, nothing that was not inevitable under the
conditions of the times. Says Lanciani: “In accepting rites and customs
which were not offensive to her principles and morality, the Church
showed equal tact and foresight, and contributed to the peaceful
accomplishment of the transformation.”[42] The pagan or Jewish convert
was not obliged to part with all his ancestral notions of the nature of
worship. He found his love of pomp and splendor gratified by the
ceremonies of a religion which knew how to make many of the fair features
Public-domain text, read in full here on John Shaqi.
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