Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient PeoplesDickinson, Edward
History
Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples
Dickinson, Edward
Church music
All being now ready for the consummation of the sacrificial act, the
ascription of thanksgiving and praise called the Preface is offered,
which varies with the season, but closes with the Sanctus and Benedictus,
sung by the choir.
The Sanctus, also called Trisagion or Thrice Holy, is the cherubic hymn
heard by Isaiah in vision, as described in Is. vi. 3. The Benedictus is
the shout of acclamation by the concourse who met Christ on his entry
into Jerusalem. There is a poetic significance in the union of these two
passages. The blessed one, who cometh in the name of the Lord, is the
Lord himself, the God of Sabaoth, of whose glory heaven and earth are
full.
The Canon of the Mass now opens with prayers that the holy sacrifice may
be accepted of God, and may redound to the benefit of those present. The
act of consecration is performed by pronouncing Christ’s words of
institution, and the sacred host and chalice, now become objects of the
most rapt and absorbed devotion, are elevated before the kneeling
worshipers, and committed to the acceptance of God with the most
impressive vows and invocations.
As an illustration of the nobility of thought and beauty of diction that
are found in the Catholic offices, the prayer immediately following the
consecration of the chalice may be quoted:
“Wherefore, O Lord, we thy servants, as also thy holy people, calling to
mind the blessed passion of the same Christ thy Son our Lord, his
resurrection from the dead, and admirable ascension into heaven, offer
unto thy most excellent Majesty of the gifts bestowed upon us a pure
Host, a holy Host, an unspotted Host, the holy bread of eternal life, and
chalice of everlasting salvation.
“Upon which vouchsafe to look, with a propitious and serene countenance,
and to accept them, as thou wert graciously pleased to accept the gifts
of thy just servant Abel, and the sacrifice of our patriarch Abraham, and
that which thy high priest Melchisedech offered to thee, a holy sacrifice
and unspotted victim.
“We most humbly beseech thee, Almighty God, command these things to be
carried by the hands of thy holy angels to thy altar on high, in the
sight of thy divine Majesty, that as many as shall partake of the most
sacred body and blood of thy Son at this altar, may be filled with every
heavenly grace and blessing.”
In the midst of the series of prayers following the consecration the
choir sings the Agnus Dei, a short hymn which was introduced into the
Roman liturgy at a very early date. The priest then communicates, and
those of the congregation who have been prepared for the exalted
privilege by confession and absolution kneel at the sanctuary rail and
receive from the celebrant’s hands the consecrated wafer. The
Post-Communion, which is a brief prayer for protection and grace, the
dismissal[53] and benediction, and the reading of the first fourteen
verses of the Gospel according to St. John close the ceremony.
Public-domain text, read in full here on John Shaqi.
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