Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient PeoplesDickinson, Edward
History
Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples
Dickinson, Edward
Church music
Interspersed with the prayers, lessons, responses, hymns, etc., which
constitute the liturgy are a great number of crossings, obeisances,
incensings, changing of vestments, and other liturgic actions, all an
enigma to the uninitiated, yet not arbitrary or meaningless, for each has
a symbolic significance, designed not merely to impress the congregation,
but still more to enforce upon the ministers themselves a sense of the
magnitude of the work in which they are engaged. The complexity of the
ceremonial, the rapidity of utterance and the frequent inaudibility of
the words of the priest, together with the fact that the text is in a
dead language, are not inconsistent with the purpose for which the Mass
is conceived. For it is not considered as proceeding from the people, but
it is an ordinance performed for them and in their name by a priesthood,
whose function is that of representing the Church in its mediatorial
capacity. The Mass is not simply a prayer, but also a semi-dramatic
action,—an action which possesses in itself an efficacy _ex opere
operato_. This idea renders it unnecessary that the worshipers should
follow the office in detail; it is enough that they coöperate with the
celebrant in faith and pious sympathy. High authorities declare that the
most profitable reception of the rite consists in simply watching the
action of the officiating priest at the altar, and yielding the spirit
unreservedly to the holy emotions which are excited by a complete
self-abandonment to the contemplation of the adorable mystery. The
sacramental theory of the Mass as a vehicle by which grace is
communicated from above to the believing recipient, also leaves him free
to carry on private devotion during the progress of the ceremony. When
the worshipers are seen kneeling in the pews or before an altar at the
side wall, fingering rosaries or with eyes intent upon prayer-books, it
is not the words of the Mass that they are repeating. The Mass is the
prayer of the Church at large, but it does not emanate from the
congregation. The theory of the Mass does not even require the presence
of the laity, and as a matter of practice private and solitary Masses,
although rare, are in no way contrary to the discipline of the Catholic
Church.
CHAPTER IV
THE RITUAL CHANT OF THE CATHOLIC CHURCH
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