"He held a high view of his office, and would make a sacrifice of self
rather than a sacrifice of truth. It is difficult to calculate the
extent of your loss. Musicians succeed musicians; they being dead may
yet speak. But the critic's words are ephemeral; they remain in the
files of the newspapers. For musicians there are schools; but what
school is there for critics? In music we need guides, men with a wide
horizon, a general culture, men unfettered by musical faction, with
definite ideals, with command of the English tongue, of courage and of
true instinct. Such an one, I take it, was Mr. Arthur Johnstone. Who
will fill his place?"
Upon this precise statement of the case we could not try to improve. We
can only add some words upon the nature of the man apart from his
profession. In an estimate of Johnstone's character the foremost place
must be assigned to his love of truth in all things; this virtue was the
touchstone he applied to his friends and to all artistic work. M. Vantyn
happily quotes, as the most appropriate motto for him, Locke's words,
"To love truth for truth's sake is the principal part of human
perfection in this world and the seed-plot of all other virtues," adding
by way of comment, "In everything, in all intercourse, upon all
occasions, under all circumstances, whether in enjoyment, in work, in
serious intercourse, he was a gentleman in the strictest sense of the
word." Next we may place his wonderful sympathy with the oppressed in
every class. Even where there was much that roused his anger in the
sinner, as in the case of Oscar Wilde, he was indignant at the merciless
treatment he received, and pleaded for a minor punishment. Where his
sympathy could have free play he was tender in the extreme, he would
take infinite personal trouble, and give all that his modest means
permitted. He was fond of animals, he disliked the idea of killing them
in "sport," and was glad that most of his intimate friends shared his
view. But he was not unreasonable on this point; and, to take the real
test question, he was not absolutely opposed to vivisection under
stringent conditions. For all his early talk of the "joy of life" he was
more anxious to secure it for others than for himself. He was tolerant
under his armour, and would rebuke pointless severity by saying, "Well,
well, there is something wrong with almost everybody;" but he did not
extend this indulgence to the cruel and pedantic. His youthful
rebelliousness, apartness, and questioning of society did not all
vanish, but were taken up and transformed into a more flexible temper;
for they had never been the mere plant of nihilism and vanity, that a
selfish nature manures in its barren private garden. Some of his friends
valued, above all, his total lack of the small inquisitiveness, which he
resented more than anything in others. He was deep in his work or in
the minor preparations for the day, and did not trouble much about his
friends' affairs.
Public-domain text, read in full here on John Shaqi.
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