In youth, as an undergraduate, Johnstone was sallow, but healthy, rather
lean and light, with a large and well-moulded musician's head, like
Beethoven's or, still more, Rubinstein's, in the outline of the
overhanging brow. It is easy to recall that earnest face, that
delightful smile always characteristic of him, and, above all, the
fascination of his playing on the piano. His voice was clear and carried
well, with a sharp metallic ring when he was indignant, but was usually
pitched low, as if unwilling to be overheard. His manner was formed and
his talk was from the first what it remained: forcible, emphatic, and
undoubtedly over-superlative at times, cut into quaintly elaborate but
perfectly built sentences, which came so naturally to him that we have
heard him discharge one of them the moment after opening his eyes in the
morning. They can best be illustrated by his more familiar style in his
writings and letters; the latter, indeed, give a fairly exact reflex of
his talk. A _flâneur_ of the best kind, he observed closely and
curiously; in spite of long spells of apparent idleness, the alert
quality of his mind never showed the faintest trace of slackness. He
described vividly and accurately; and he had a remarkable gift for
explaining any subject or point of view unfamiliar to his listeners,
careful that the slightest detail should not escape them. And, in turn,
he would quickly catch up and develop the ideas of his friends however
vaguely suggested or insufficiently thought out. Johnstone professed
Radical principles and was a member of the Russell Club, where the
advanced Liberals met for papers and debates; but his Radicalism was
social rather than political, and after the foreign experiences of his
later years his opinions tended in the direction of strong government
and Imperialism. At this time it amused him to be rather eccentric in
dress, though he afterward became trim and fairly modish. In 1882 the
intellectual undergraduate was capable of wearing a wide-brimmed,
light-brown, hard hat, descending over the ears and eyes and long hair
penthouse fashion. He had one of these "built for me, ground plan and
projection" on a special scale. He also had a tie which could be folded
into twenty-five different aspects or patterns, some of them striking;
it was a mosaic of squares, and the harvest of a long search;
twenty-five neckties in one. His collars were ultra-Byronic. Otherwise
he was not markedly strange in attire; though the real incongruity was
between these freaks of dress, and the keen intent grey gleam of his
eyes, and the look of held-in vehemence and sensibility.
Public-domain text, read in full here on John Shaqi.
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