49.――BANDURIA. English. Early 19th century _Facing_ 110 50.――HARP. Old Irish _Facing_ 110 51.――HARP. French. About 1770 _Facing_ 112 52.――VIOLIN. Said to have belonged to James I. English. Early 17th century _Facing_ 112 53.――ANGEL PLAYING A VIOL. After an oil painting by Ambrogio da Predis. Late 15th century _Facing_ 104 54.――VIOLA DA GAMBA. Italian. About 1600 _Facing_ 114 55.――VIOLA DA GAMBA. Italian. 17th century _Facing_ 114 56.――VIOLA DI BARDONE, OR BARITON, WITH BOW. German. 17th century _Facing_ 114 57.――VIOLA D’AMORE. Probably English. Late 17th century _Facing_ 116 58.――DOUBLE-BASS, WITH BOW. Known as “The Giant.” Italian. 17th century _Facing_ 116 59.――SORDINO, OR POCHETTE. Probably German. Late 17th or early 18th century _Facing_ 118 60.――BÛCHE, OR SCHEITHOLZ. Made by Fleurot, of the Val d’Ajol in the Vosges Mountains. Early 19th century _Facing_ 118 61.――VIRGINAL. Formerly belonging to Queen Elizabeth. Italian. Second half of 16th century _Facing_ 118 62.――VIRGINAL. Flemish. Second half of 16th century _Facing_ 118 63.――SPINET. Made by Annibale dei Rossi of Milan. Italian. Dated 1577 _Facing_ 120 64.――SPINET. Signed “Johannes Player fecit” English. About 1700 _Facing_ 120 65.――CLAVICHORD. Inscribed “Barthold Fritz fecit, Braunschweig, anno 1751.” German. 18th century _Facing_ 120 66.――CLAVICEMBALO. Signed “Joanes Antonius Baffo, Venetus.” Italian. Dated 1574 _Facing_ 122 67.――CLAVECIN. Made by Pascal Taskin of Paris. French. Dated 1786 _Facing_ 124 68.――ORGAN-HARPSICHORD, OR CLAVIORGANUM. Formerly in the chapel of Ightham Mote, near Sevenoaks, Kent. Probably English _Facing_ 124 69.――TRIPLE FLAGEOLET. Italian. About 1820 _Facing_ 124 70.――FLAUTO DOLCE, OR FLUTE. Ivory. Inscribed “Anciuti a Milan, 1740” _Facing_ 124 71.――FLAGEOLET. Italian. Middle of 18th century _Facing_ 126 72.――OBOE. Made by Anciuti of Milan. Formerly in the possession of the composer Rossini. Latter half of 18th century _Facing_ 126 73.――BASSOON, species of. English. Late 18th, or early 19th century _Facing_ 128