Especially to be noticed is the institution termed “Council of music,”
which the wise monarch Nezahualcoyotl founded in Tezcuco. This
institution was not intended exclusively for promoting the cultivation
of music; its aim comprised the advancement of various arts, and of
sciences such as history, astronomy, etc. In fact, it was an academy
for general education. Probably no better evidence could be cited
testifying to the remarkable intellectual attainments of the Mexican
Indians before the discovery of America than this council of music.
Although in some respects it appears to have resembled the board of
music of the Chinese, it was planned on a more enlightened and more
comprehensive principle. The Chinese “board of music,” called _Yoh
Pu_, is an office connected with the _Li Pu_ or “board of rites,”
established by the imperial government at Peking. The principal object
of the board of rites is to regulate the ceremonies on occasions of
sacrifices offered to the gods; of festivals and certain court
solemnities; of military reviews; of presentations, congratulations,
marriages, deaths, burials――in short, concerning almost every possible
event in social and public life.
The reader is probably aware that in one of the various hypotheses
which have been advanced respecting the Asiatic origin of the American
Indians China is assigned to them as their ancient home. Some
historians suppose them to be emigrants from Mongolia, Thibet, or
Hindustan; others maintain that they are the offspring of Phœnician
colonists who settled in Central America. Even more curious are the
arguments of certain inquirers who have no doubt whatever that the
ancestors of the American Indians were the lost ten tribes of Israel,
of whom since about the time of the Babylonian captivity history is
silent. Whatever may be thought as to which particular one of these
speculations hits the truth, they certainly have all proved useful, in
so far as they have made ethnologists more exactly acquainted with the
habits and predilections of the American aborigines than would
otherwise have been the case. For, as the advocates of each hypothesis
have carefully collected and adduced every evidence they were able to
obtain tending to support their views, the result is that (so to say)
no stone has been left unturned. Nevertheless, any such hints as
suggest themselves from an examination of musical instruments have
hitherto remained unheeded. It may therefore perhaps interest the
reader to have his attention drawn to a few suggestive similarities
occurring between instruments of the American Indians and of certain
nations inhabiting the eastern hemisphere.
Public-domain text, read in full here on John Shaqi.
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