Musical Instruments, Historic, Rare and Unique — John Shaqi
Musical Instruments, Historic, Rare and UniqueHipkins, Alfred J. (Alfred James)
History
Musical Instruments, Historic, Rare and Unique
Hipkins, Alfred J. (Alfred James)
Musical instruments
Lac decoration shows that, in this specimen at least, its intimate
charm of tone, capable, as no other key-board instrument was, of the
_vibrato_, was deemed worthy of an elaborate setting.
The latest improvements of which the Spinet genus was capable,
including the Venetian Swell, are founded in the Double Harpsichord
(Plate XXXIII.) made by Burkat Shudi (Burkhard Tschudi) and John
Broadwood in 1773, for the Empress Maria Theresa. It is a question
whether some musical instruments of special character should not
be retained for use or be made again when that character cannot be
expressed by any existing instrument. If this were done the Viola
d'Amore, the Viola da Gamba, the Harpsichord, the Clavichord, and
the old German flute, in the last instance with some concession to
defective intonation, would find their places and be sometimes heard
with pleasure.
With regard to the selection and drawing of the subjects represented
in the following Plates, it may be mentioned that the present writer
had the important advantage of a free use of the remarkable Loan
Collection of Musical Instruments exhibited at the Royal Albert
Hall, Kensington, in 1885. Extraordinary facilities for drawing
the selected subject were obtained through his official connection
with the Music Division of the Exhibition, and through the gracious
permission of the respective owners of the instruments, including
H.M. the Queen, H.R.H. the Prince of Wales, H.R.H. the Siamese
Minister, and the Japanese Commission. He has also utilised some
sketches of instruments selected and drawn by Mr. Robert Glen of
Edinburgh, to whom belongs the credit of originating the idea of this
publication.
The pictorial representation of the subjects was undertaken by Mr.
William Gibb, and the plates in this volume have been successfully
reproduced from his admirable drawings. The book gains, moreover,
a special and unexpected value from the fact that no illustrated
Catalogue Raisonné was compiled of the Music Loan Collection of 1885,
which combined the most beautiful and valuable Manuscripts, Books,
Paintings, etc., as well as Musical Instruments, which were ever
brought together. There were no funds available, nor was there time
to permit of such a work being carried out before the Collection was
dispersed. By those who deplore the loss of that opportunity, the
illustrations of this work may be regarded as a valuable memento of
that unrivalled Collection.
A.J.H.
[Illustration: JEWISH SHOPHAR.]
[Illustration: I]
PLATE I.
BURGMOTE HORNS.
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