Besides the uses named under Burgmote Horns (Plate I.) horns were blown to give alarm in circumstances of danger, to announce the arrival of visitors of distinction, and, as Mr. M'Intyre North informs us respecting the horn in Drummond Castle, for summoning the household and guests to dinner. But horns were not restricted to winding, there were also drinking and powder horns, often beautifully adorned. The extreme length of this Horn, measuring along the outside of the curve and including the mouthpiece, is 28-1/4 inches. The greatest circumference is 11-1/2 and the least 2-3/4 inches. [Illustration: VIII] PLATE VIII. QUEEN ELIZABETH'S VIRGINAL. This beautiful Spinet is, in the drawing, placed upon a stand, which served for its support in the Tudor Historical Room appertaining to the Music Loan Collection of 1885. I believe this instrument to be Italian, not Flemish or English, and Italian spinets had no stands or legs, but when required for use were withdrawn from an outer case, as this one would be, and placed upon a table, or some other convenient position. They were even taken in Gondolas, as Evelyn records, for pleasure and the performance of serenades. We may assume 1570 to be approximately the date of this instrument. The green and gold decoration, including a border of gold two and a half inches broad round the inside of the top, is of later date, perhaps by nearly one hundred years. An indistinct number on the back of the case, inside, appears to be 1660. The Royal Arms of Elizabeth are emblazoned on one end to the left of the key-board; to the right a dove is seen rising crowned. The dove holds in its right foot a sceptre; beneath it is an oak tree. This decoration, whether original in 1660 or the copy of a former one, goes far to support the claim for this Spinet having been Queen Elizabeth's. Her musical taste, inherited from Elizabeth of York, and skill as a performer upon the spinet, need no more than a passing reference. I characterize the instrument as a spinet because a true virginal is a parallelogram, not a trapeze-shaped instrument. The attribution of virginal is, however, not incorrect as a generic term; for all key-board stringed instruments with jacks were known in England as virginals from the Tudor epoch to that of the Commonwealth.