Musical Myths and Facts, Volume 1 (of 2)Engel, Carl
History
Musical Myths and Facts, Volume 1 (of 2)
Engel, Carl
Music -- History and criticism
Thus much about the words of the popular songs. As regards the airs,
those which have been traditionally preserved by the villagers of
Alsace exhibit the characteristics of the German national music. That
the construction of the airs has not altered much in the course of a
century is evident from the specimens of songs and dance-tunes which
Laborde gives in his 'Essai sur la Musique,' published in the year 1780.
Still earlier, about two hundred years ago, the French composers adopted
from Alsace a German tune of a peculiar construction, the _Allemande_.
This happened at the time of the invention of the _Suite_, a composition
which consists of a series of short pieces written in the style of
popular tunes of various countries. The Allemande, which generally
formed the introductory movement to the series, is more dignified than
the sprightly Courante, Gavotte, and BourrÈe, originally obtained from
different provinces of France.
Particularly interesting is the music of the peasant of Kochersberg. The
mountain called Kochersberg is situated in the vicinity of the town of
Zabern in Upper Alsace. The district immediately surrounding the
mountain is also called Kochersberg. The villagers of this district are
considered by the French as rather rude in manner, but as honest,
straightforward, and trustworthy. They have several old favourite
dances, as for instance, _Der Scharrer_ ("The Scraper"), _Der Z‰uner_
("The Fence Dance"), _Der Morisken_ (evidently the "Morrice" or Moorish
Dance, formerly also popular in England, and originally derived from the
Moors in Spain), _Der Hahnentanz_ ("The Cock Dance"). The last-named
dance, which is also popular in other districts of Alsace, and, with
some modifications, in the Black Forest of Germany, is generally
performed in a large barn. On a cross-beam is affixed a dish, in which
is placed a fine large cock (called _Guller_). The cock is ornamented
with ribands of various colours. Near the dish hangs a tallow-candle,
through which a string is drawn horizontally. To one end of the string
is attached a leaden ball. The dancers arrange themselves in pairs, one
behind the other. As soon as the musicians strike up, the candle is
lighted, and the first pair receive a nosegay, which they have to hold
as long as they continue dancing. When they are tired, and stop to
rest, they must give the nosegay to the next following pair, and so on.
The pair which have possession of the nosegay at the moment when the
candle burns the string, and the ball falls into the dish, win the cock.
The _Hammeltanz_ of the Kochersberg peasants is likewise known in Baden.
In this dance a fat wether is the prize of the lucky pair who happen to
be dancing when a glass suspended by a burning match-cord becomes
detached and falls to the ground. Some of the dancers are accompanied
with singing; for instance, the _Bloue Storken_, in which the song
begins with the words:--
Public-domain text, read in full here on John Shaqi.
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