Musical Myths and Facts, Volume 1 (of 2)Engel, Carl
History
Musical Myths and Facts, Volume 1 (of 2)
Engel, Carl
Music -- History and criticism
A grant under the Privy Seal of James I. for the issue of letters patent
in favour of Thomas Downton and others, on transferring their services
as players to the Elector Frederic, dated January 4th, 1613, contains
the following names of actors and musicians: Thomas Downton, William
Bird, Edward Juby, Samuell Rowle, Charles Massey, Humfrey Jeffs, Franck
Grace, William Cartwright, Edward Colbrand, William Parr, William
Stratford, Richard Gunnell, John Shanck, and Richard Price. These, and
"the rest of their Associates" were licensed and authorised as servants
of the Elector Palatine "to use and exercise the art and facultie of
playing Comedies, Tragedies, Histories, Enterludes, Moralls, Pastoralls,
Stage Plaies and such other like as they have already studied, or
hereafter shall use or study."
In a Patent of James I., licensing the performance of plays by his
Majesty's Servants at the private house in Blackfriars, as well as at
the Globe, March 27th, 1620, are mentioned: John Hemings, Richard
Burbadge, Henry Condall, John Lowen, Nicholas Tooley, John Underwood,
Nathan Feild, Robert Benfeild, Robert Gough, William Ecclestone, Richard
Robinson, and John Shancks. In a patent of Charles I., dating June 24th,
1625, which renews that of James I., we have, besides the names just
mentioned, Joseph Taylor, William Rowley, John Rice, Elliart Swanston,
George Birch, Richard Sharpe, and Thomas Pollard.[47]
The names are here given to enable the reader to compare them with the
names, often arbitrarily spelt, of the English actors and
instrumentalists in the German records.
The earliest account of the appearance of these foreigners in Germany
dates from the year 1556, when an English company of actors visited the
court of the Margrave of Brandenburg. In Berlin they found a
well-organized musical band belonging to the Elector Joachim II., the
regulations of which, dating from the year 1570, are still extant. In a
more comprehensive set of regulations issued by the Elector Johann
Georg, in the year 1580, the following instruments are specified as
being played by the Elector's musicians:--_Positif_, _Zimphonien_,
_Geygen_, _Zinckenn_, _Qwerpfeiffen_, _Schalmeyenn_, _Krumbhˆrner_,
_Dultzian_, _Trummeten_, _Posaunen_, _Bombarten_, ("Organ, spinets,
instruments played with a bow, cornets, small German flutes, shalms,
cormornes, a small bassoon, trumpets, trombones, bombardos."[48]).
In the beginning of the seventeenth century we find in the Elector of
Brandenburg's service some English musicians who had probably come to
Germany with the English actors. The following are mentioned in the
Prussian records, with their names more or less Germanized.
Johann Kroker (John Croker), Berlin, 1608. He must have been a rather
distinguished musician; for the Elector Joachim Friedrich made him
Vice-Kapellmeister, or second leader of the orchestra.
Public-domain text, read in full here on John Shaqi.
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