Musical Myths and Facts, Volume 1 (of 2)Engel, Carl
History
Musical Myths and Facts, Volume 1 (of 2)
Engel, Carl
Music -- History and criticism
Johann Spencer. In a letter dated "Kˆnigsberg, July 14th, 1609," the
Elector Johann Sigismund recommends Johann Spencer to the Elector of
Saxony as an English musician who was recommended to him by the Duke
Franz von Stettin, and who had been for some time in Berlin. The Elector
adds that Johann Spencer's music had pleased him pretty well.[49] There
can hardly be a doubt that this musician is the same John Spencer who
was the director of a company of English Comedians travelling in Holland
and in Germany.
Walter Rowe (also written Roe) Berlin, 1614. A viola-da-gamba player of
some reputation. He must have been at least thirty-three years in the
service of the Elector, for he is still mentioned as a member of the
orchestra in 1647. About the year 1626 he resided for some time at the
court of the Duke of Mecklenburg-G¸strow. His son, Walter Rowe, was
likewise a musician in the Elector's orchestra at Berlin.
Lambert Blome (probably Bloom) is mentioned in the year 1621 as a
_Clarin-Bl‰ser_ (trumpeter) in the orchestra at Berlin.
Valentin Flood was, in 1627, engaged in Berlin, as player on the Treble
Viol.
John Stanley, a theorbo player, was, in the autumn of the year 1628, at
the court of the Elector of Brandenburg, and in the year 1631, entered
the service of the Landgrave Wilhelm of Hesse-Cassel.
Johann Boldt (probably John Bolt), Berlin, 1635. Cornetto player.
These musicians were not the only foreigners in the band of the Elector
at Berlin. Several Italians are mentioned in the records, and even one
or two Polish cither players. As early as in the year 1564, mention is
made of an Italian virtuoso, Antonio Bontempi, who was engaged as player
on the lute, theorbo, and cornetto.
Although the English comedians most probably visited the Netherlands
before they made their appearance in Germany, we meet with them in
Holland not earlier than in the year 1604. A company, which in 1605
performed in Leyden, had previously been in Berlin, and was provided
with letters of recommendation from the Elector of Brandenburg.[50]
Moreover, there was a company of English comedians in Denmark during the
second half of the sixteenth century. Five of these, who in the old
documents are mentioned as Instrumentalists, probably because they were
chiefly musicians, arrived in the year 1586 at the court of Christian
II., Elector of Saxony. Leaving unnoticed those who are mentioned only
as actors, we find recorded in Dresden the following English
instrumentalists, whose names are copied as spelt in the German
documents:--
Tomas Konigk (Thomas King), Dresden, 1586. He had previously been in
Denmark.
Tomas Stephan (Thomas Stephen), Dresden, 1586.
George Bryandt (George Bryant), Dresden, 1586; also known as an actor.
Thomas Pabst (Thomas Pope), Dresden, 1586. He is supposed to have been a
personal acquaintance of Shakespeare.[51]
Rupert Persten (probably Rupert Pierst). Dresden, 1586.
Public-domain text, read in full here on John Shaqi.
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