Musical Myths and Facts, Volume 1 (of 2)Engel, Carl
History
Musical Myths and Facts, Volume 1 (of 2)
Engel, Carl
Music -- History and criticism
It will be observed that certain questions pre-suppose a somewhat
advanced state of civilization--as, for instance, those referring to
musical notation, instruction, literature, etc. There are several
extra-European nations--as the Japanese, Chinese, Hindus, etc.--which
have advanced so far in the cultivation of music as to render these
questions necessary; and it would be very desirable to possess more
detailed information concerning the method pursued by these nations in
the cultivation of the art than is at present available.
The present scheme is quite as interesting to the musician, or even more
so, than it is to the ethnologist. Professional musicians in general
are, however, not likely to become acquainted with the instructions for
musical researches published together with various other scientific
inquiries by the British Association. It is for this reason that they
are here inserted, since the present work has a better chance of coming
into the hands of professional musicians than the anthropological
publication. Howbeit, years must elapse before it leads to a practical
result. The originator of the questions may never enjoy the advantage of
receiving the answers; but he has, at least, the pleasure of preparing
the way for an accumulation of well-ascertained facts which intelligent
musicians of a future generation will know how to turn to good account.
"(_Section LXVIII._) _Music._
"The music of every nation has certain characteristics of its own. The
progressions of intervals, the modulations, embellishments, rhythmical
effects, etc., occurring in the music of extra-European nations, are not
unfrequently too peculiar to be accurately indicated by means of our
musical notation. Some additional explanation is, therefore, required
with the notation. In writing down the popular tunes of foreign
countries, on hearing them sung or played by the natives, no attempt
should be made to rectify anything which may appear incorrect to the
European ear. The more faithfully the apparent defects are preserved the
more valuable is the notation. Collections of popular tunes (with the
words of the airs) are very desirable. Likewise, drawings of musical
instruments with explanations respecting the construction, dimensions,
capabilities, and employment of the instruments represented.
"_Vocal Music:_--
"1. Are the people fond of music?
"2. Is their ear acute for discerning small musical intervals?
"3. Can they easily hit a tone which is sung or played to them?
"4. Is their voice flexible?
"5. What is the quality of the voice? is it loud or soft, clear or
rough, steady or tremulous?
"6. What is the usual compass of the voice?
"7. Which is the prevailing male voice--tenor, baritone or bass?
"8. Which is the prevailing female voice--soprano or alto?
"9. Do the people generally sing without instrumental accompaniment?
"10. Have they songs performed in chorus by men only, or by women only,
or by both sexes together?
Public-domain text, read in full here on John Shaqi.
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