Musical Myths and Facts, Volume 2 (of 2)Engel, Carl
History
Musical Myths and Facts, Volume 2 (of 2)
Engel, Carl
Music -- History and criticism
It may perhaps appear presumptuous that an Ignoramus, who knows
nothing at all about music, ventures to compose. This applies to
me, as I send you herewith eleven Motetts and other pieces, which
I have composed myself. I have achieved this in a strange way,
since I am not acquainted with the notes; nor have I the slightest
understanding respecting the art of music. I am, therefore,
compelled, when anything musical enters my head, to sing it to a
musical composer, and he commits it to paper. However, I must have
a good ear and good taste, because the public, when they hear my
music, always applaud it. The method which I have prescribed to
myself in composing is that of the bees, which extract the honey
from the most beautiful flowers, and mix it together. Thus also I.
Everything I have composed I have taken from only good masters
whose works pleased me. I candidly confess my theft, while others
deny theirs, as they want to appropriate whatever they have taken
from others. No one, therefore, dares to be vexed if he hears old
airs in my compositions; for, as they are beautiful, their
antiquity cannot detract from their value. I have determined to
present this work to the church Sti. Michaelis Archangeli, with the
P. P. Societatis Jesu, wherein my grandparents founded a Seminarium
Musicale; and I desire that this memorial of myself shall be
preserved there for eternity, especially for the reason that I have
composed most of this music in the time of my persecution. The
causes which induced me to compose the several pieces I herewith
add, thus:--
No. 1. Adjutorium nostrum in nomine Domini;--I made when I had to
suffer the greatest persecution, anno 1706.
No. 2. Ne nobis Domine;--on account of obtained victories.
No. 3. Tempus est;--on leaving the two towns, Ruessel and Valencien,
in gratitude for the many kindnesses which I and my kindred
received from the inhabitants of those towns.
No. 4. Victoria;--after the battle of Belgrade against the Turks,
in 1717.
No. 5. Per hoc vitae spatium;--when I was debating with myself what
pursuit I should follow, whether I should become spiritual or
remain secular.
No. 6. Quare fremuerunt gentes;--for my own consolation at a time
when I was unjustly persecuted to the utmost.
No. 7. Quem vidistis Pastores;--for Christmas.
No. 8. Parce Domine!--at Lent.
No. 9. Maria Mater gratiae;--to the honour of the ever-blessed
Mother of God.
No. 10. When my brother-in-law, the Dauphin, died, anno 1711.
No. 11. On the death of the nephew of the Dauphin and his consort,
in 1712; which composition I request the Seminary to have sung also
for me after my death.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account